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GWAR Announce ‘Return Of The World Maggot’ Tour

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Without fail, GWAR put on what is possibly the most fun concert I’ve ever been to. I came in wearing a white shirt and left red, blue and purple. I was covered in blood and god knows what other fluids they decided to spray on the crowd. Plus, Devildriver had just opened up, so the crowd was already having a total blast. 

Fast forward to today and GWAR has announced a fall tour entitled Return Of The World Maggot, which will feature openers Every Time I Die, Warbeast, and Ghoul. I won’t be able to make the Detroit show because I’m already seeing Opeth that night, but you should definitely go if you’re in the area! Check out the tour dates after the jump!
gwarrotwmtour

Momentarily putting down his crack pipe, the warty front thing and mutant overlord Oderus Urungus spoke about the carnage that is sure to ensue when GWAR tours North America: “Once again we blow the mighty horn of war, and summon the most fanatical fans in metal history to pay homage to their brutal overlords, us. Between holding Crack-a-Thon’s, having GWAR-B-Q’s, you might think that your Lords and Masters had forgotten about you…but you won’t get off that easy! GWAR is returning to personally slap the teeth out of your collective mouths, and have a great time while doing it!”

GWAR on tour with Every Time I Die, Ghoul and Warbeast
10/18 Charlotte, NC @ Amos’ Southend
10/19 Norfolk, VA @ The NorVa
10/20 Washington, DC @ 9:30 Club
10/21 Worcester, MA @ The Palladium
10/22 Clifton Park, NY @ Northern Lights
10/23 New York, NY @ Irving Plaza
10/24 Cleveland, OH @ House of Blues
10/25 Toronto, ON @ Phoenix Concert Theatre
10/26 Grand Rapids, MI @ The Intersection
10/28 Milwaukee, WI @ The Rave
10/29 Detroit, MI @ Harpo’s
10/30 Indianapolis, IN @ The Vogue
10/31 Chicago, IL @ House of Blues
11/01 Sauget, IL @ Pop’s
11/02 Minneapolis, MN @ First Avenue
11/04 Edmonton, AB @ Edmonton Event Centre
11/05 Calgary, AB @ MacEwan Hall Ballroom
11/07 Vancouver, BC @ Commodore Ballroom
11/08 Seattle, WA @ Showbox SoDo
11/09 Portland, OR @ Roseland Theatre
11/11 San Francisco, CA @ The Regency Ballroom
11/12 West Hollywood, CA @ House of Blues
11/13 Pomona, CA @ Glasshouse
11/14 Tempe, AZ @ Marquee Theatre
11/15 Albuquerque, NM @ Sunshine Theater
11/16 Denver, CO @ The Summit Music Hall
11/18 Austin, TX @ East Side Drive In
11/19 Dallas, TX @ House of Blues
11/20 Houston, TX @ House of Blues
11/21 New Orleans, LA @ The Hangar
11/22 Atlanta, GA @ Masquerade
11/23 Tampa, FL @ Green Iguana Stadium
11/25 Raleigh, NC @ Lincoln Theatre
11/26 Philadelphia, PA @ Electric Factory
11/27 New Haven, CT @ Toad’s Place

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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