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8 Essential Horror Comics You Must Read!

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Superheroes may have the biggest share of the market when it comes to comic books, but horror isn’t far behind. It makes sense, because horror is a very visual form of storytelling, something integral to the comic book format. Thanks to a rise of strong independent publishers in the ‘90s and ongoing, horror comics have had a major renaissance in the past few decades and shows no signs of slowing down. This means that getting into horror comics can be overwhelming, there’s literally hundreds of ongoing series to choose from. If you want to get into comics, where do you start? Though there’s countless other graphic novels, comic books, and manga delivering amazing horror stories, here are just a few essentials that make for a great entry point into the world of horror comics:

Harrow County

This Dark Horse comic series, created by Cullen Bunn and artist Tyler Crook, is set to conclude in June this year, which means you don’t have to worry about getting to committed to an extensive, ongoing series like The Walking Dead’s 180 issues and counting. A coming of age story by way of Southern gothic fairy tale, Emmy learns that she’s connected to the monsters that live in the deep, dark woods on her eighteenth birthday. She’s the reincarnation of a powerful witch executed on the day she was born, and the townsfolk want to kill her too. So she must connect with the monsters and embrace her dark powers to survive. It was announced in 2015 that Syfy planned to adapt this comic book to series, and while no new details have emerged since, it’s a safe bet that this one will be translated to screen, big or small, sometime in the future.


Afterlife with Archie

The idea of a new show on Netflix about Sabrina the Teenage Witch may not seem all that exciting if your only frame of reference is the family-friendly ‘90s sitcom. But if you’ve read The Chilling Adventures of Sabrina, written by Roberto Aguirre-Sacasa with art by Robert Hack, then you understand just how dark and horrorific Aguirre-Sacasa takes the character. But before that Roberto Aguirre-Sacasa wrote Afterlife with Archie with artist Francesco Francavilla, a zombie apocalyptic take on the plucky crew of Riverdale. Betty, Jughead, Veronica, Archie, and even Josie and the Pussycats have to deal with gore, violence, dark magic, Cthulhu, and zombie brutality. It’s much better than it sounds, trust me. Aguirre-Sacasa gives it a ‘70s horror aesthetic with plenty of moments that would make H.P. Lovecraft proud.


Locke & Key

Written by horror author Joe Hill with art by Gabriel Rodriguez, this short six-volume graphic novel series is an absolute must-read. The story tells of Keyhouse, a gothic New England mansion with doors to otherworldly secrets and portals, and the Locke family, who relocate to Keyhouse after the devastating loss of their patriarch. It’s dark and every bit the Lovecraftian tale it promises, but what really makes this one special is Rodriguez’s stunning art and Hill’s ability to create complex characters you fall hard for. There have been numerous attempts to adapt this series over the years, but it’s finally happening soon via Hulu with Andy Muschietti (Mama, IT) tapped to helm the pilot. So hurry up and read this series to prepare.


Uzumaki

Junji Ito is a Japanese horror manga artist with a distinct art style that’s both hypnotic and terrifying. Often referred to as the David Cronenberg of manga, his art and storytelling is as compelling as it is visceral and repulsive, and much of his work has received Japanese film adaptations. Though Tomie is one of his most popular series, start with Uzumaki, a three-volume series that follows a city plagued by a supernatural curse involving spirals. Yes, spirals. It’s weird, it’s surreal, and it’ll get under your skin. Uzumaki received two video games and a live-action film adaptation in Japan.


Wytches

A six-issue series written by Scott Snyder and illustrated by Jock followed the Rock family as they moved to a small New Hampshire town following a bullying incident. They want to start over, but realize there’s evil lying in wait in the woods just outside of town. As the title indicates, it’s a horror series whose lurking evil is witches. These witches aren’t your average run of the mill witches, though, but petrifying creatures made even more nightmarish thanks to vivid art and coloring. A somewhat bleak, but compelling family drama merged with a horror story that declares its brutality in issue one, it’s an addictive read.


Nailbiter

Created by Joshua Williamson and Mike Henderson, with art by Henderson, this six-volume series centered around Buckaroo, Oregon, a small town that birthed 16 of the world’s worst serial killers. It’s a mystery that FBI agent Charles Carroll wants to crack, but when he goes missing his friend Nicholas Finch comes to town to find him and must team up with Edward Charles Warren to get to the bottom of things. The only problem is that Warren is more aptly known as Nailbiter, a serial killer that earned the moniker from chewing off his victims’ nails and part of their flesh. Graphic murder and a captivating mystery makes this one hard to put down.


Outcast

This ongoing series by writer Robert Kirkman and artist Paul Azaceta is completely different from Kirkman’s The Walking Dead. Trading bleak zombie apocalypse for the horror atmosphere of demonic possessions, Outcast follows Kyle Barnes, a man cut off from society after a lifetime of loved ones falling prey to possession. His need for answers leads him to uncovering a world-ending plot, and very little beside himself and a priest to stand in the way. Genuine scares and complex villains makes for a far more interesting narrative. Kirkman keeps things interesting by making his primary villain ambiguous; is he actually Satan? Or maybe God? This comic received a series adaptation on Cinemax that premiered in June 2016, and the second season is finally set to air in July. The bad news is that the long wait meant the options on the cast have long since lapsed. At least there’s still the comics.


Crossed

A creator-owned series from writer Garth Ennis and artist Jacen Burrows, the story follows survivors dealing with a pandemic that causes those infected to carry out their most evil thoughts. It makes for one of the most depraved horror comics ever. Seriously twisted stuff that makes you question the sanity of the writer fills the frames. Incest, rape, cannibalism, bestiality, self-mutilation, maiming, murder, and any other debauched acts you can think of; Crossed has it. The volumes of Crossed are printed irregularly, and not always with Ennis and Burrows at the helm. Sometimes it’s Simon Spurrier and Fernando Melek, or sometimes it’s Alan Moore and Gabriel Andrade among others, but it’s always truly disturbing. While many other comic series may see adaptations, this one would be an extremely tough sell.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

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[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream

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Tender Beth Hetland Graphic Novel

Beth Hetland’s debut graphic novel, ‘Tender,’ is a modern tale of love, validation, and self-destruction by way of brutal body horror with a feminist edge.

“I’ve wanted this more than anything.”

Men so often dominate the body horror subgenre, which makes it so rare and insightful whenever women tackle this space. This makes Beth Hetland’s Tender such a refreshing change of pace. It’s earnest, honest, and impossibly exposed. Tender takes the body horror subgenre and brilliantly and subversively mixes it together with a narrative that’s steeped in the societal expectations that women face on a daily basis, whether it comes to empowerment, family, or sexuality. It single-handedly beats other 2023 and ‘24 feminine horror texts like American Horror Story: Delicate, Sick, Lisa Frankenstein, and Immaculate at their own game.

Hetland’s Tender is American Psycho meets Rosemary’s Baby meets Swallow. It’s also absolutely not for the faint of heart.

Right from the jump, Tender grabs hold of its audience and doesn’t let go. Carolanne’s quest for romantic fulfillment, validation, and a grander purpose is easy to empathize with and an effective framework for this woeful saga. Carolanne’s wounds cut so deep simply because they’re so incredibly commonplace. Everybody wants to feel wanted.

Tender is full of beautiful, gross, expressive artwork that makes the reader squirm in their seat and itch. Hetland’s drawings are simultaneously minimalist and comprehensively layered. They’re  reminiscent of Charles Burns’ Black Hole, in the best way possible. There’s consistently inspired and striking use of spot coloring that elevates Hetland’s story whenever it’s incorporated, invading Tender’s muted world.

Hetland employs effective, economical storytelling that makes clever use of panels and scene construction so that Tender can breeze through exposition and get to the story’s gooey, aching heart. There’s an excellent page that depicts Carolanne’s menial domestic tasks where the repetitive panels grow increasingly smaller to illustrate the formulaic rut that her life has become. It’s magical. Tender is full of creative devices like this that further let the reader into Carolanne’s mind without ever getting clunky or explicit on the matter. The graphic novel is bookended with a simple moment that shifts from sweet to suffocating.

Tender gives the audience a proper sense of who Carolanne is right away. Hetland adeptly defines her protagonist so that readers are immediately on her side, praying that she gets her “happily ever after,” and makes it out of this sick story alive…And then they’re rapidly wishing for the opposite and utterly aghast over this chameleon. There’s also some creative experimentation with non-linear storytelling that gets to the root of Carolanne and continually recontextualizes who she is and what she wants out of life so that the audience is kept on guard.

Tender casually transforms from a picture-perfect rom-com, right down to the visual style, into a haunting horror story. There’s such a natural quality to how Tender presents the melancholy manner in which a relationship — and life — can decay. Once the horror elements hit, they hit hard, like a jackhammer, and don’t relent. It’s hard not to wince and grimace through Tender’s terrifying images. They’re reminiscent of the nightmarish dadaist visuals from The Ring’s cursed videotape, distilled to blunt comic panels that the reader is forced to confront and digest, rather than something that simply flickers through their mind and is gone a moment later. Tender makes its audience marinate in its mania and incubates its horror as if it’s a gestating fetus in their womb.

Tender tells a powerful, emotional, disturbing story, but its secret weapon may be its sublime pacing. Hetland paces Tender in such an exceptional manner, so that it takes its time, sneaks up on the reader, and gets under their skin until they’re dreading where the story will go next. Tender pushes the audience right up to the edge so that they’re practically begging that Carolanne won’t do the things that she does, yet the other shoe always drops in the most devastating manner. Audiences will read Tender with clenched fists that make it a struggle to turn each page, although they won’t be able to stop. Tender isn’t a short story, at more than 160 pages, but readers will want to take their time and relish each page so that this macabre story lasts for as long as possible before it cascades to its tragic conclusion. 

Tender is an accomplished and uncomfortable debut graphic novel from Hetland that reveals a strong, unflinching voice that’s the perfect fit for horror. Tender indulges in heightened flights of fancy and toes the line with the supernatural. However, Tender is so successful at what it does because it’s so grounded in reality and presents a horror story that’s all too common in society. It’s a heartbreaking meditation on loneliness and codependency that’s one of 2024’s must-read horror graphic novels.

‘Tender,’ by Beth Hetland and published by Fantagraphics, is now available.

4 out of 5 skulls

Tender graphic novel review

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