In this third and final part of our visit to the set of Nimrod Antal’s Predators, we’re finally given the opportunity to sit down with the man himself – Señor Robert Rodriguez, builder of the Troublemaker empire, who on his own has directed some of the most insanely fun genre films of the last twenty years. During our conversation he played down similarities to the first movie, talked about the long gestation of the project (his original script for the sequel dates back to 1994), came clean on the extent of his involvement during production, and assured us the film would be “R”-rated. Oh yeah, we also spoke with Alice Braga. She’s way pretty.
Amazingly, it’s been more than eleven years since Scream 3 was released (where does the time go??), meaning there’s over a decade’s worth of new horror material that has yet to be plumbed by the self-aware franchise, now being revived with Scream 4 (coming out on April 15th). So how have they updated the once-fresh series to make it feel relevant for today’s audiences? There’s no doubt that much has changed.
Since the turn of the millennium (remember Y2K?) we’ve seen the ascension of torture porn and J-Horror, been assaulted by an insane amount of mostly crappy remakes, seen a huge resurgence in the “found footage” sub-genre (remember The Blair Witch Project?), and witnessed the coining of the term “Web 2.0” (remember dial-up?). Hell, in the year 2000 only about half the citizens in this country even owned a cell phone! (remember antennas?)
Of course, as much as the world has changed since the bygone era of Jennifer Love Hewitt worship and shitty nu-metal bands, the basic Scream template remains the same: skewer the rules and conventions of the horror genre in a clever and entertaining way. What matters this time around is just how the creative minds behind the latest entry will incorporate the new horror rules and conventions that have cropped up over the last decade or so, not to mention which ones they decide to take on (hint: given what the Scream films are, we probably won’t be seeing any long-haired “Samara”-style wraiths making an appearance).
Now, in anticipation of the release of the hugely-anticipated slasher sequel (mark your calendars!), B-D reporter Chris Eggertsen takes a fun look at ten of the key clichés and conventions from the last decade in horror that may or may not be tackled in the upcoming third installment of the legendary slasher franchise. But study them carefully – for if your own life goes all Meta and you find yourself caught in the midst of an honest-to-god slasher-movie killing spree, paying close attention just might save your skin.
“The person holding the video camera is far more likely to survive up to at least the final reel.”
Movie Examples: The Last Exorcism; Cloverfield; REC/Quarantine; Diary of the Dead
This rule is predicated on basic narrative necessity more than anything; indeed, there wouldn’t be much of a movie if the person filming the bloodbath were to bite the dust in the first or second act. As such, it would probably behoove a potential horror movie victim to volunteer for camera duty.
“Those with a serious criminal or amoral past – and/or those who have engaged in severely self-destructive behavior – are far more likely to kick the bucket than those with a relatively clean slate.”
Movie Examples: Saw I-VII
This rule really only has a basis in the Saw movies, but when you consider that the “torture porn” franchise is the most profitable and influential of the last decade, its potential for influencing a budding psychopath is pretty great. And look, it ain’t the `80s anymore. Just smoking a doobie or engaging in a little coital fun isn’t enough to guarantee certain death in a 21st century horror film. As Jigsaw showed us in all seven installments of the uber-gory series, you’re especially likely to be targeted if you’ve either engaged in some particularly naughty past behavior – think fleeing the scene of a crime, engaging in predatory lending practices, or, you know, raping and killing people – or demonstrated a lack of appreciation for life by, say, abusing drugs or attempting suicide. So while it may not keep them from ultimately waking up strapped to some sort of bizarre medieval torture device, potential victims can at least better calculate their odds of survival by tallying up their past transgressions. Also, if you didn’t take time out to appreciate your crummy life before, you’d damn well better start now.
(SPOILER ALERTS AHEAD!) “The Final Girl isn’t necessarily the final girl.”
Movie Examples: Wolf Creek; High Tension; Death Proof; Cabin Fever; Friday the 13th (remake)
While in the past we could almost always rely on the old “Final Girl” trope – i.e. the kindest and most virginal young woman of the bunch being the most likely to survive – unfortunately for the mousier contingent among us that rule isn’t quite as relevant as it used to be. For as we’ve been shown in quite a few horror flicks over the last decade -remember poor “head on a stick” Liz in Wolf Creek? – the ultimate survival of the supposed Final Girl is no longer a given.
“The kills are more brutal, drawn-out and extreme.”
Movie Examples: Saw I-VII; Hostel I & II; any film that could be classified as “torture porn”
It’s sad to say, but simple stabbings are basically old hat at this point, and not even unconventional weaponry really makes the cut anymore – indeed, by the late `80s Jason had already sorta driven that whole “let’s see what kinda damage we can do with [insert name of unlikely weapon here]!” thing into the ground (not that we don’t welcome it, necessarily; it just isn’t novel anymore). No, in the 21st century the quick kill has been replaced in many instances by drawn-out scenes of excruciating torture, a la movies like Saw, Hostel, and the wave of increasingly-brutal “French extremity” films. Note to potential victims: if there’s absolutely no hope of escape and you suspect you may be next in line for a long and painful evening at the local torture chamber, you might wanna consider engaging in a little hari-kari action before the killer has a chance to drag you off.
“If a strangely charming individual with either a German or Eastern European accent: a) proposes drinks at his/her place; b) suggests a night of kinky sex (this particularly applies if you write for the internet and/or have a basic hygiene problem); c) offers you shelter from a rain, sleet, or snowstorm, or d) otherwise seems interested in spending a little alone time with you in a remote location, you’d do best to high-tail your ass in the other direction.”
Movie Examples: Hostel I & II, The Human Centipede (First Sequence)
While the majority of `70s and `80s slasher and splatter flicks that inspired the first few Scream movies featured distinctly American-grown killers, with the introduction of the first Hostel movie we were introduced to the concept of creepy foreign people. See, not only are German and Eastern European accents scary, but the region is also apparently home to some truly perverted weirdos. In other words, don’t trust any dude with a name like Wolfgang or Dragos – it’s a recipe for certain death. Oh, and that hot chick Tatyana from the Czech Republic? Chances are she’s aiming to sell your ass to some fucked-up underground torture society in Belarus. Remember, the happy fun-time days of Shannon Elizabeth in American Pie are long over.
“Tortured back stories and vaguely sympathetic character motivations are so last century.”
Movie Examples: Hostel I & II; The Strangers; Wolf Creek; Them; Orphan; The Human Centipede (First Sequence); House of 1,000 Corpses; The Devil’s Rejects; Funny Games (remake); The Collector
Sure, the slasher revolution started with Michael Myers in Halloween – a man of “pure evil” who had “the blackest eyes” (according to Sir Donald Pleasance) – but most of the copycats that followed usually featured killers with at least some apparent reason for picking up that machete and hacking up a bunch of horny co-eds. Even the first three Scream films – despite Randy’s contention that in “the millennium, motives are incidental” – tied at least one of their killers’ motivations to some traumatic past event. Not so anymore, as over the last few years the pendulum seems to be swinging back in the “crazy-for-crazy’s-sake” Bates/Myers direction, holding true to Stu’s observation in the first Scream that “it’s a lot scarier when there’s no motive”. Need I bring up Rob Zombie’s lackluster “nurture over nature”-heavy Halloween reboot as evidence? Ah well, too late.
(SPOILER ALERTS AHEAD!) “It’s never safe to bet on `happy’ endings anymore.”
Movie Examples: Saw I-VII; Wolf Creek; The Grudge; The Ring; The Last Exorcism; Pulse; Final Destination I-IV; Paranormal Activity; The Strangers; Texas Chainsaw Massacre: The Beginning; House of 1,000 Corpses; The Skeleton Key; Them, The Collector; Funny Games (remake)
It’s no surprise that in our increasingly cynical age, the bad guy in horror films has racked up a more impressive win/loss ratio than perhaps at any other time in the history of the genre. Just look at some of the most popular and influential movies from the last decade: J-horror fare like The Grudge, The Ring and Pulse are good examples of this rule, not to mention virtually every found footage/camcorder flick ever (Paranormal Activity and The Last Exorcism being two that immediately spring to mind). Hell, just look at the final outcome of the entire Saw series – it doesn’t get much grimmer than that. In short, betting against the killer(s) isn’t near as fail-safe a wager as it used to be.
“Social subtext is big again – the key to unlocking the nature or identity of the killer(s) could lie in the ills of society itself.”
Movie Examples: Saw I-VII; Hostel I & II; Land/Diary/Survival of the Dead; Cabin Fever; Shaun of the Dead; The Hills Have Eyes (remake)
While the `80s spate of mostly mindless slasher films provided the majority of self-reflexive ammunition for the first three Scream entries, the “aughts” returned to the subtext-laden thematics of horror flicks from the late ’60s and early `70s. As such, it might give potential victims a good amount of insight (and perhaps even increase their chances of survival) if they go into “ivory tower mode” by searching out possible explanations for the mayhem in the context of society’s larger problems. Perhaps this time around Ghostface is some crazed, geriatric Tea Party adherent, aiming to cut down on the number of young Obama supporters prior to the 2012 elections? I wouldn’t necessarily rule it out.
“To increase your chances of survival, take some time to study the remakes.”
Movie Examples: Halloween; Friday the 13th; A Nightmare on Elm Street; Texas Chainsaw Massacre; Prom Night; When a Stranger Calls; My Bloody Valentine 3D; The Hitcher; The Amityville Horror; The Hills Have Eyes; Dawn of the Dead; House of Wax; I Spit on Your Grave; The Omen; Last House on the Left; The Fog; The Crazies; The Stepfather; Black Christmas; Sorority Row; probably more I’m not thinking of
The most ubiquitous horror trend over the last decade is undoubtedly the remake phenomenon, meaning potential victims can’t merely look to the originals any longer to uncover the keys to their survival. While certainly a few of the films are forehead-slappingly derivative of their original source material, others have changed the conventions up a bit and, painful as it may be, it would behoove those who find themselves in the midst of a bloody killing spree to add a shitload of these bad boys to the top of their Netflix queue. Just pray you can get through them all before the killer catches you passed out from boredom on the living room couch.
“When in doubt, do the opposite of everything you learned in the first three Scream movies.”
Movie Examples: Scream I-III
As one character in the Scream 4 trailer smartly points out, “the unexpected is the new cliché”. In other words, potential victims will significantly increase their chances of survival if they do the opposite of whatever rules of slasher-dom they were urged to follow in the first three entries. Feeling a little horny? Go have sex with someone, quickly! Acting the part of the shameless, dirty slut just might save your neck. “Magical cigarette” being passed around at the party after prom? If you value your life, you’d do well to take a puff. Also, work the phrase “I’ll be right back” into every conversation you can, even when it isn’t 100% warranted. It may end up annoying the shit out of your friends and loved ones, but if you enjoy breathing you’d do best to ignore their bitching. Also, dudes – get off your sorry asses and try out for the football team. And while you’re at it, start acting on all those buried Alpha male instincts of yours and push a science geek or two up against a locker (further “survival points” will be awarded for wedgies and toilet dunking). As for all the ladies out there – for the love of god, get a freakin’ boob job and join the cheerleading squad. In this day and age, those puritanical attitudes you’ve been harboring could equal death.
`Scream 4′ Trailer: