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[BEST & WORST ’11] Lauren Taylor’s List of the Best Horror Films of 2011!

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Bloody Disgusting 2011 Best and Worst Horror Movies

I really like to make lists. I do top 5’s and top 10’s regularly on my tumblr. If I were to say what would top the Best New Things of 2011 list, it would be becoming a contributor on this site. So, when I was invited to take part in our Best/Worst of 2011, I got very excited. While I didn’t see as many films as I would’ve liked this year, 5 were definitely worthy of being labeled “the best”.

Best Horror of 2011: Lauren Taylor

Mr. Disgusting (Best/Worst) | Ryan Daley (Best/Worst) | BC (Best/Worst) | David Harley (Best/Worst)
Micah (Best/Worst) | Lonmonster (Best/Worst) | Evan Dickson (Best/Worst) | Lauren Taylor (Best/Worst)
Posters (Best/Worst) | Trailers (Best/Worst) | Performances (Best)

5. Blood Junkie (May 10; Troma)


Having been given a Troma film as my first Bloody Disgusting review, I knew it would either be a hit or complete sh*t. I got a gem. Blood Junkie is a throwback that never realizes it is so, and has plenty of humor, gore and awesomeness. My review truly summed up why I put this on my Best of 2011: “All in all, the beauty of Blood Junkie definitely lies in the respect that it never takes itself seriously – which is unbelievably refreshing in an age where mainstream horror, that lacks any sort of charm, does.

4. Wrecked (August 30; IFC)


It could be true that I am putting this on my Best list just in case Adrien Brody would read it and be impressed and then call me up (please do). However, the idea of waking up, stuck in a car, dead bodies around you, not knowing what the hell is going on…it’s a bit nerve-wracking. Throw in a delectable performance by Adrien Brody and it’s an amazing experience. He rouses every emotion he portrays to perfection. And even swollen and bloody, I’m still unbelievably attracted to him. Psychological in the horror realm, and damn good at it, Wrecked is worth a re-watch.

3. Rammbock: Berlin Undead (June 28; Bloody Disgusting Selects)


Since April, I’ve watched a good handful of horror films – half of which dragged on, half pointless, and ended up crap. Rammbock is far from this. Running at 59 minutes, the movie throws you a ‘zombie’ story, plays it out and wraps it up neatly. There is still the classic moments of panic, overload, and loss – but without all of the filler.

2. Insidious (April 1; Film District)


Rarely does a ‘commercial’ film strike me in the way Insidious did. I watched it alone, on my couch, on a rainy day and there were many moments where I went “Eeeeeeeee!!!” loudly. Evoking the beauty of the classic Poltergeist, Insidious takes the haunted house story, adds a twist, and gives it a well done studio ending.

1. TrollHunter (May 6; Magnet)


TrollHunter. Ahhh! This movie is just so beautiful. There are so many insane moments within i from the effects to the acting and setting. Everything makes it a lot of fun and my number 1 of 2011.

Honorable Mention: Burke & Hare (August 5; IFC)


Unlike everyone else on the planet, I liked Burke & Hare. It could be that I want to have Simon Pegg’s babies, but I honestly felt the story was well told and well acted. The sets were superb, the cast was impeccable (I love Jessica Hynes) and it was a clever film. I can only think that perhaps Americans don’t like dark British humor. And accents.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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