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‘Cabin Fever: Patient Zero’ Director Shares His Fav Infection Films!

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In anticipation of today’s VOD release of Cabin Fever: Patient Zero (also, in theaters August 1), Bloody-Disgusting asked me to write my top five infection movies. But I’ve always been a bit of an over achiever and couldn’t stop at just five. Buckle up for my TEN most favorite infection movies, in no particular order. Try not to debate me in the comment section below if The Fly is or isn’t an infection movie. It’s MY list. Go make your own! (Seriously, I’m going to read the comments and would love to know what I forgot to include.) Right after you check out Cabin Fever: Patient Zero of course. Did I mention the US VOD release is June 26th? Just to make sure, let me personally invite you to check out the VOD release of Cabin Fever: Patient Zero on June 26th. SPOILER ALERT: Sean Astin may or may not be… Patient Zero.

The Ruins: “Infected by plants”. While the iffy CG effects threatened to ruin this movie for me, man, this is clean crisp filmmaking. All beautifully shot by Darius Khondi—an amazing looking film that stars one of my screen crushes Jena Malone. And perhaps THE most amazing thing about it is that this was executive produced by Ben Stiller. Yes… THAT Ben Stiller. Strange for a studio horror film to be so gory. But also great.

The Evil Dead: “Infected by demons”. While I had watched Evil Dead II at maybe 12 years old, I didn’t end up watching this film until I was 17, drinking beers in my friend’s basement. I must have been expecting something a little campier because of that fact. But even though this film is quirky, it’s actually pretty horrifying. Watching Ash’s girlfriend oscillate between the woman he loves and the demon that’s trying to kill him just plain freaked me out. This was part of a one-two punch movie night we had paired up with The Exorcist.

The Exorcist: “Infected by Satan”. A master class in verite filmmaking. The Exorcist is amazing. I’m sure you’ve all seen this one. And if not—what the hell is wrong with you? (See what I did there?) While a few of the special effects gags have become dated, it’s the image of a little girl plunging a crucifix into herself that will be forever burned into my brain. I wasn’t raised Catholic but can only imagine the same experience if I was.

The Thing: “Infected by aliens”. And one of my favorite films on the planet! Directed to perfection, badass leads and the most mind-bending special effects of its time by Rob Bottin. What’s really weird is that this movie was considered such a disaster in its day that it almost destroyed John Carpenter’s career– but has now become a true classic. What movie did it open against? Blade Runner, believe it or not. A movie that suffered the same weird fate. And another one of my favorites. We can all blame Spielberg’s E.T.

Rabid: “Infected by plastic surgery”. This is some classic Canadian cult filmmaking by David Cronenberg. Do yourself a favor and find this one. Produced by Ivan Reitman (who directed Ghostbusters!) and starring porn starlet of the moment, Marilyn Chambers (Reitman’ idea). This is a rather zany film about cutting edge plastic surgery that unleashes the strangest sort of epidemic. Spoiler Alert: Everyone dies. There are some really amazing ideas hidden in this movie. It doesn’t always work but when it does, it really is a unique film. I love watching early work like this and seeing how an artist can grow. I actually read a script for a remake of Rabid a few years ago that was floating around. It will be interesting to see if that ever happens. A fairly unknown Cronenberg classic.

the-fly

The Fly: “Infected by one bug”. A Cronenberg two-peat. As the fly genome slowly overwrites Jeff Goldblum’s biology we see body-horror at its finest. A truly terrifying movie that explores hubris, intellect and sexuality. In other words: pure Cronenberg. While Rabid was an early effort, this is a polished gem. Does anyone else remember the buttered piece of toast that sticks to Goldblum’s bottom as he is romping and rolling around with a naked Geena Davis? Did that actually happen or just a strange fantasy of mine. This is also the movie that made me fall in love with Geena Davis. The buttered toast may or may not have had a part of that. There is an amazing DVD of this film stacked with features. Well worth the pick up.

Slither: “Infected by, err… aliens”. I will always have a soft spot for Slither. Directed by the very friendly, rugged and handsome James Gunn. A man who has the craziest hair this side of Mickey Rourke. I can’t wait to see what James has gotten himself into with Guardians Of The Galaxy. This is actually a funny-strange crossover but another handsome (well not as handsome), funny and rugged pal of mine, Skottie Young is writing and drawing Rocket Raccoon, of “Guardians” fame, this summer for Marvel Comics. Pick it up. You can find it on the shelf right beside “Iron Fist: The Living Weapon,” written and drawn the handsomest of all.

Bug: “Infected by many bugs”. How did Billy Friedkin make this list twice? Because he’s just that good. This film, based on a stage play, is just pure creep. Relive General Zod’s early days as an “unhinged war veteran” who falls for Ashley Judd. Tell me which one of these two is dating above his station? No wonder Superman snapped his neck. It was to restore order and balance in the Cosmos. Cue inspiring speech by Neil Degrasse Tyson flying around in his space machine. If anything, this list is probably some kind of clue to how my mind works. In bits and bobbles of unrelated madness.

The Stuff: “Infected by yogurt”. When I saw this movie I was young enough to find it terrifying. I watched it again recently and was surprised at how campy this killer yogurt movie was. (Did I really just type that?) But I hold onto my childhood memory of my experience dearly. It was also the first time my young mind learned that you could become a corporate spy. I’ve always felt this movie could be remade deadly serious. I would be first in line to see it.

Dawn Of The Dead: “Infected by dead people”. O Romero, Romero! Wherefor art thou Romero? Right here bitches. And I just changed the face of horror for decades. ‘Nuff said.

Well, I hope you enjoyed my list and did as many “click-throughs” as possible. I’ve always been a fan of Bloody-Disgusting. A great place to start your horror surfing day. A great place to finish being wherever you can order your viewing of Cabin Fever: Patient Zero, coming to VOD on June 26th!

Article by Kaare Andrews

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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