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Happy Thanksgiving! It’s the 12 Best Horror Dinner Scenes…

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Article by Trace Thurman

Happy Thanksgiving everyone! The holidays are usually pretty barren for us horror fans, so I thought I would honor this holiday by taking you through a tour of some of the best dinner scenes in horror film history. I fully realize that I probably skipped some of your favorites, so this is by no means the definitive list on this subject (if there ever could be one). I also probably picked some that were a bit obvious, so I tried to also include two or three lesser-known films. If you think I missed one (which I most certainly did) feel free to discuss in the comments! Otherwise, let’s take a look at some of the ways our beloved genre has utilized dinner gatherings to horrify and entertain audiences over the years. Just a heads up: I’ve included spoilers for the films in this list so watch out.

Oldboy

While not technically a dinner scene in the traditional sense, I think Oldboy definitely qualifies for a place on this list. Granted, it is probably not very intense for Korean viewers , because although this film is crazy (and amazing), the act of eating a live octopus is considered a delicacy in Korea and also something I would love to try one day if I wasn’t so afraid of the tentacles grabbing hold of my throat as it went down (which is why typically it is served sliced, though the pieces are still moving). Nevertheless, this is a pretty gross scene to watch, and a perfect symbol of Oh Dae-Su’s desire for life (or rather, to ingest another creature’s life force) after being holed up in a room for 15 years. I felt like it would be a good moment to kickstart this list.

Dumplings

I had to watch this movie (part of the anthology Three…Extremes) in an Asian Horror film class I took in college and man, it’s pretty gross. Basically, a woman eats dumplings filled with crushed human baby fetuses so that she can have eternal life. What makes the film so effective is the sound design. You hear the slimy, squirmy dumplings (and the bones of the fetuses) as the characters chew them. It’s probably my favorite use of sound in any horror movie I’ve seen recently. There’s also a pretty awesome(?) abortion scene in the film as well (if you watch the extended version that acts as a standalone film). All of this being said, I still think I would rather eat abortion fetus dumplings than balut (fertilized duck egg), which is also on display in this film.

Cheap Thrills

I did enjoy this movie a lot, but it was definitely a victim of hype for me. I heard about how good it was so often that by the time I actually got around to watching it I thought it was just alright. Don’t get me wrong, I do think it’s a good film. I just don’t think it’s amazing. I do love the “dinner” scene where they have to eat the dog though. “Love” may be the wrong choice of words but it’s just so bizarre and absolutely ridiculous. It used to really bother me when dogs died in movies but I think I’ve been desensitized so much that it just doesn’t affect me as much anymore. Like Dumplings, this is another movie where the sound really amplifies the grotesqueness of the scene. The lead characters are told they will win money if they eat the dog that has been killed and boy do they go for it. It’s hilarious and disgusting at the same time and while my feelings about the movie may be mixed, I can’t deny the effectiveness of this scene.

Tore tanzt (Nothing Bad Can Happen)

This one took the place of Poltergeist on my list (sorry!) since they both involve maggot-infested meats. I’m still a little conflicted about how I feel about this film, but that’s kind of what the director was going for. While not really a horror movie, it is definitely horrifying. Nothing Bad Can Happen follows self-proclaimed “Jesus Freak” Tore as he befriends a family and ends up living with them after the patriarch invites him into their home. It isn’t long before things take a turn for the worse (to put it mildly) as the family starts to torture poor Tore to test his religious strength. The scene in questions is probably the scene that will stick with you the longest once the movie is over and involves the parents of the family force-feeding Tore chicken that was thrown out in the garbage days before and has now become maggot-infested. I watched this movie at the Alamo Drafthouse here in Austin, which meant I was eating while I watched it. It wasn’t the best plan. You’ve been warned.

Beetlejuice

Yes I know, this isn’t technically a horror movie, but it’s one of the most memorable and entertaining dinner scenes in film history. I wasn’t allowed to watch Beetlejuice growing up because I had a lot of nightmares as a small child after finding a doll of the titular character that had a string on its back that caused its head to spin around when you pulled it. I finally got to see it when I was about 9 after I tricked my grandmother into letting me watch it. I would constantly rewind and watch this scene over and over again while singing and dancing to it in the living room. This scene combines my two favorite genres (horror and musical) and goes balls to the wall with it. In my opinion, this is the quality all horror comedies should strive to achieve.

Alien

I confess, I almost forgot to put this one on the list. I’m not sure what I was thinking, as this is one of the most iconic dinners in cinema, but I digress. I don’t really think I need to go into what makes this scene so amazing but I only wish I could have been alive in 1979 in a theater watching this for the first time. I think the impact this scene had on me was definitely softened after hearing so much about it but I can’t deny that it is a fantastic feat of technology and filmmaking. I may still prefer Aliens as a film, but damn if this scene isn’t an example of how to really knock the audience off of its feet.

Hannibal

I really like Hannibal. I still prefer that batshit insane ending of the novel (if I lost any of you with that statement I completely understand) but I think this is a great film. It’s just overshadowed by the amazing Silence of the Lambs so it never really stood a chance. Well, that and the fact that it’s a 131-minute film and it takes Hannibal nearly 6o of them to show up. That being said, the dinner scene where Ray Liotta’s Agent Krendler gets the top part of his skull removed as Hannibal slices pieces of it off to cook and feed to him is absolutely horrifying. I didn’t get to see Hannibal until years after it was released (I wasn’t allowed to watch R-rated movies until I was about 16) but I had always heard about this scene (and even read it before I saw the movie). It’s so brilliantly disturbing and definitely earns its place on this list.

Killer Joe

While the clip above actually happens before the dinner scene in the film, it’s still pretty horrifying nonetheless. I love Gina Gershon. Ever since I saw her in Bound I’ve had a thing for her. I feel the exact opposite about Matthew McConaughey. I have never liked him and he has always annoyed me in most of his films (even Frailty, which I love). But I adore him in this movie. I was looking forward to it because I really enjoyed Tracy Letts’ other plays, Bug and August: Osage County, but I didn’t know anything about it. I randomly Redboxed it one night and it was a very pleasant surprise (well, pleasant in a very weird way). Seeing Gershon blow a fried chicken leg was not exactly what I expected, but it was traumatic, to say the least. I still can’t believe that scene got this film an NC-17 rating, but I’m glad director William Friedkin didn’t trim it down to get an R. The fact that after all of this Joe tried to get everyone to sit down for a nice family dinner is all the more hilarious/horrifying. I love this movie, and the final scene is my favorite part.

A Nightmare on Elm Street 5: The Dream Child

I think this one haunts me so much because I remember seeing Greta’s stuffed face on the back of every VHS box for Nightmare 5 in any video store I walked into when I was a kid. Seeing the image of Greta’s body hanging out of the refrigerator door, with her mouth stuffed full of food is a pretty disturbing image for a 5-year-old. The fact that this is one of the most memorable deaths in the franchise (for me, at least) is kind of sad considering that it’s one of the worst films in the franchise (whether Freddy’s Revenge or Freddy’s Dead or both are worse is up for debate). Even still, seeing poor Greta get fed her own innards by Freddy is a twisted idea and I’m glad they writer had the balls to do it, despite the censoring the scene had.

You’re Next

You’re Next was one of my favorite movies from last year, and this scene is one of the main reasons why. Yes, the film has some pretty good kills in it and, while the ending is a little predictable (I admit I was expecting a little bit more to the twist, but I appreciated the simplicity of it more on a second viewing), it’s dialogue like this that really make the movie stick out for me. This movie actually takes time to establish its characters and Simon Barrett did a really good job with the dialogue in this scene. Obviously, if you’ve seen the movie, you know that things escalate rather quickly after this but I wanted to acknowledge a scene where nothing really happens to highlight the brilliance of the film. This is one of the few moments the audience gets to relax and really get to know these characters. This could easily be your family. They have real arguments and behave like real people. Then shit goes down.

Dead Alive

I hate pus. I can handle all of the blood and gore you throw at me, but the second pus gets involved I start to gag a little bit. Nothing has made me want to leave the room more than the dinner scene in Dead Alive (except possibly the eyeball-severing bit in Hostel). I admit I’m not as big on this movie as many of you are, but I can certainly appreciate all of the talent behind the film. My feelings for the film aside, I don’t think any scene has embedded itself in my memory the way this one has. You can’t tell me that this scene does not gross you out, no matter how funny it may be.

The Texas Chain Saw Massacre

No list of horror movie dinners can be complete without this masterpiece. This is the dinner scene to end all dinner scenes. I admit that when I first saw The Texas Chain Saw Massacre, I was bored to tears. I saw it very late in my horror viewing and I just didn’t see what all the fuss was about. After many more years filled with several re-watchings of it, I have definitely come around, and I think I can finally see what makes this movie so special in many people’s eyes. I can’t say anything about the film that hasn’t been said already but the first time I saw it, it didn’t really affect me. Somewhere down the line, though, this movie really started disturbing me. I’m not sure what happened, but this scene is so freaky to me now. No film has really been able to match this dinner scene (though the 2006 Texas Chainsaw Massacre: The Beginning would try) and I believe that’s a testament to how amazing this scene (well, the whole film really) is. Nothing else can really compare to it.

ABOUT TRACE: Trace is a graduate of the Radio/TV/Film program University of Texas at Austin and still lives in Austin. An avid fan of the horror genre, he spends most of his free time reading about/watching movies and TV shows and endlessly harassing his friends to watch underrated gems. He has a strong dislike for the lack of tact/respect present on Internet message boards and is on a mission to promote thoughtful, polite discussions between people who disagree about things online.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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