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Zomblog: What Do Zombies Mean To You?

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Zombies are now one of pop culture’s biggest all-consuming fads. As the lumbering husks of our friends and families it’s hard to see why the affinity has stood the test of time. Twice weekly this Zomblog will aim to discuss Zombies at large and what they mean to me, and hopefully what they mean to you.

This Zomblog was born out of collaboration. I’ve just joined the ranks of Double Take’s comic writing team. For the unfamiliar, Double Take is a brand new comic publisher out of New York city that us launching a fully shared universe centered around George A Romero’s 1968 classic Night of the Living Dead. (They’ve got a Kickstater too.) 

I’ll be writing my own story set in the late hours of that first night, and while I can’t tell you much about it just yet – this blog should serve as a process piece for comic writing just as much as a discussion forum about Zombies.

They may now be a cultural phenomenon, but back in 1966 Zombies were this horrible reflection of our societies’ greatest fears. I’d argue that this reflection is something missing from current work in the genre (Cough, The Walking Dead, cough) but I think it boils down to what zombies actually mean to you, the viewer, reader, or participant in the story.

What do zombies mean to you? Isn’t a question that people ask often but it’s one that every horror lover has an answer to. For myself, zombies represent this horrible reflection of what it means to work together as a collective. When joining the horde the undead are given one purpose – to survive. The remnants of humanity are faced with the same stakes and ultimately fail to achieve anything other than self-destruction. This is something of a loose theory I cobbled together from my repeated viewings of Day of the Dead.

Day is bar none my favorite zombie movie for a variety of reasons. I first watched it when I was super young – I’d say eight years old. My older brother forced me to watch the scene where Rhode’s is ripped apart at the throat until I threw up. It stayed with me, plus the younger Zac believed Mr. Bean to be one of the stars.

McDermott

But – I digress. The reason I love Day of the Dead more than any other is because it represents best why humanity is always doomed. We’re a selfish breed. Even in the most dire circumstances we’re unwilling to cooperate. This can be for a variety of reasons, be they ideological, philosophical, or practical but they all boil down to self-preservation.

Within the bunker setting of Day we’re treated to a group of survivors who couldn’t be more different. But, hell they’re making efforts to understand the outbreak, they’re well equipped, and well protected. But thanks to an inability to reconcile over a single cause – everything falls to shit, as it does.

Zombies prevail not because they have superior intellect, or better means to survive but because they work together for a single goal. They retain familiar elements of their personalities but they push through to eradicate everything in existence that isn’t like them.

Zombies show me what we could achieve if we united with a single purpose. Obviously we all need to go out tomorrow and become cannibals. So if you’re friend says he doesn’t like The Battery and you think it’s the best Zombie movie ever made (It’s incredible…) then eat him – for the greater good.

This Zomblog will run every Monday and Friday until I run out of things to say about zombies. Next time – we tackle social commentary and the power of the media in Zombie movies.

Until then check out Double Take’s blog – Double Take Universe to keep up to date on the incredible comics that will be coming your way in September. And head over to their Kickstarter to secure yourself the full ten launch issues.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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