Connect with us

Editorials

How To Start Getting Into Horror Part 11: Found Footage

Published

on

We’re nearing the end of my How To Start Getting Into Horror series as I’ve only got a handful of entries left. But there are some big ones that need to be addressed and I want to make sure I cover them so that a burgeoning horror fan can get a well rounded experience.

For that reason, I feel it’s time we talk about a subgenre that garners a truly divided reaction from the horror community: found footage. Let’s do this, shall we?

While it would be completely wrong to state that The Blair Witch Project was the first entry into the found footage subgenre, it’s definitely one of the most notable. I remember when this came out and how brilliantly it was marketed. This was before Google was around, so searching for information was difficult and whatever could be found was scattered in bits and pieces. But what the filmmakers did that was godddamn inspired was they created fake websites that backed their story up. Everything on these sites reinforced the film, giving it the sense that it actually was real.

In today’s day and age, where a quick Google search or checking on Snopes can lead to all information you could possibly want, it’d be impossible to trick people so easily. That’s the problem that Paranormal Activity faced. Pictures of Micah Sloat and Katie Featherston on red carpet premieres were plentiful, so we knew it was fake before many of us even had the chance to see it. But not Blair Witch. And that, in my opinion, is why it remains as being one of the most unsettling found footage horror films for many people.

Speaking of Paranormal Activity, it’s hard to talk about this subgenre without giving credit to this film for giving a fresh shot of excitement and fear. Audiences were becoming increasingly sick and tired of the “torture porn” films that were coming out in droves and suddenly this film came out of the indie world and rocked theaters to the core.

I was lucky to be living in a town that was part of the original 13 theater limited release, so I got to stand in a line of thousands of people and somehow make it in. I’ve got to tell you, watching Paranormal Activity in a packed theater was absolutely incredible. The fear was so thick and palpable and it was such a joy to be a part of a crowd that was that into the film. It’s one of my favorite movie-going experiences.

Much like after the release of Saw and Hostel, the years that followed Paranormal Activity saw a glut of similarly styled films, many of them well below the quality we deserve. But a few gems did pop out and one that stood out to me was The Taking Of Deborah Logan.

What I loved about that film was that it addressed how seemingly every found footage film needed a priest or some sort of religious figure to assist them. But in The Taking Of Deborah Logan, the priest flat out says that he can’t help and that she needs mental therapy. I nearly cheered at that moment because I was so thrilled they didn’t go down that route. And it ended up being a seriously unsettling and genuinely frightening film! Plus, that bleak ending, right?

So, The Blair Witch Project, Paranormal Activity, and The Taking Of Deborah Logan. Three films that I think are great places to get a feel for how the trend really began, where it went, and where it should go.

If you have any suggestions for newcomers, please let me know in the comments!

Check out the rest of our How To Start Getting Into Horror series.

Editorials

‘Leprechaun Returns’ – The Charm of the Franchise’s Legacy Sequel

Published

on

leprechaun returns

The erratic Leprechaun franchise is not known for sticking with a single concept for too long. The namesake (originally played by Warwick Davis) has gone to L.A., Las Vegas, space, and the ‘hood (not once but twice). And after an eleven-year holiday since the Davis era ended, the character received a drastic makeover in a now-unmentionable reboot. The critical failure of said film would have implied it was time to pack away the green top hat and shillelagh, and say goodbye to the nefarious imp. Instead, the Leprechaun series tried its luck again.

The general consensus for the Leprechaun films was never positive, and the darker yet blander Leprechaun: Origins certainly did not sway opinions. Just because the 2014 installment took itself seriously did not mean viewers would. After all, creator Mark Jones conceived a gruesome horror-comedy back in the early nineties, and that format is what was expected of any future ventures. So as horror legacy sequels (“legacyquels”) became more common in the 2010s, Leprechaun Returns followed suit while also going back to what made the ‘93 film work. This eighth entry echoed Halloween (2018) by ignoring all the previous sequels as well as being a direct continuation of the original. Even ardent fans can surely understand the decision to wipe the slate clean, so to speak.

Leprechaun Returns “continued the [franchise’s] trend of not being consistent by deciding to be consistent.” The retconning of Steven Kostanski and Suzanne Keilly’s film was met with little to no pushback from the fandom, who had already become accustomed to seeing something new and different with every chapter. Only now the “new and different” was familiar. With the severe route of Origins a mere speck in the rearview mirror, director Kotanski implemented a “back to basics” approach that garnered better reception than Zach Lipovsky’s own undertaking. The one-two punch of preposterous humor and grisly horror was in full force again.

LEPRECHAUN

Pictured: Linden Porco as The Leprechaun in Leprechaun Returns.

With Warwick Davis sitting this film out — his own choice — there was the foremost challenge of finding his replacement. Returns found Davis’ successor in Linden Porco, who admirably filled those blood-stained, buckled shoes. And what would a legacy sequel be without a returning character? Jennifer Aniston obviously did not reprise her final girl role of Tory Redding. So, the film did the next best thing and fetched another of Lubdan’s past victims: Ozzie, the likable oaf played by Mark Holton. Returns also created an extension of Tory’s character by giving her a teenage daughter, Lila (Taylor Spreitler).

It has been twenty-five years since the events of the ‘93 film. The incident is unknown to all but its survivors. Interested in her late mother’s history there in Devil’s Lake, North Dakota, Lila transferred to the local university and pledged a sorority — really the only one on campus — whose few members now reside in Tory Redding’s old home. The farmhouse-turned-sorority-house is still a work in progress; Lila’s fellow Alpha Epsilon sisters were in the midst of renovating the place when a ghost of the past found its way into the present.

The Psycho Goreman and The Void director’s penchant for visceral special effects is noted early on as the Leprechaun tears not only into the modern age, but also through poor Ozzie’s abdomen. The portal from 1993 to 2018 is soaked with blood and guts as the Leprechaun forces his way into the story. Davis’ iconic depiction of the wee antagonist is missed, however, Linden Porco is not simply keeping the seat warm in case his predecessor ever resumes the part. His enthusiastic performance is accentuated by a rotten-looking mug that adds to his innate menace.

LEPRECHAUN RETURNS sequel

Pictured: Taylor Spreitler, Pepi Sonuga, and Sai Bennett as Lila, Katie and Rose in Leprechaun Returns.

The obligatory fodder is mostly young this time around. Apart from one luckless postman and Ozzie — the premature passing of the latter character removed the chance of caring about anyone in the film — the Leprechaun’s potential prey are all college aged. Lila is this story’s token trauma kid with caregiver baggage; her mother thought “monsters were always trying to get her.” Lila’s habit of mentioning Tory’s mental health problem does not make a good first impression with the resident mean girl and apparent alcoholic of the sorority, Meredith (Emily Reid). Then there are the nicer but no less cursorily written of the Alpha Epsilon gals: eco-conscious and ex-obsessive Katie (Pepi Sonuga), and uptight overachiever Rose (Sai Bennett). Rounding out the main cast are a pair of destined-to-die bros (Oliver Llewellyn Jenkins, Ben McGregor). Lila and her peers range from disposable to plain irritating, so rooting for any one of them is next to impossible. Even so, their overstated personalities make their inevitable fates more satisfying.

Where Returns excels is its death sequences. Unlike Jones’ film, this one is not afraid of killing off members of the main cast. Lila, admittedly, wears too much plot armor, yet with her mother’s spirit looming over her and the whole story — comedian Heather McDonald put her bang-on Aniston impersonation to good use as well as provided a surprisingly emotional moment in the film — her immunity can be overlooked. Still, the other characters’ brutal demises make up for Lila’s imperviousness. The Leprechaun’s killer set-pieces also happen to demonstrate the time period, seeing as he uses solar panels and a drone in several supporting characters’ executions. A premortem selfie and the antagonist’s snarky mention of global warming additionally add to this film’s particular timestamp.

Critics were quick to say Leprechaun Returns did not break new ground. Sure, there is no one jetting off to space, or the wacky notion of Lubdan becoming a record producer. This reset, however, is still quite charming and entertaining despite its lack of risk-taking. And with yet another reboot in the works, who knows where the most wicked Leprechaun ever to exist will end up next.


Horror contemplates in great detail how young people handle inordinate situations and all of life’s unexpected challenges. While the genre forces characters of every age to face their fears, it is especially interested in how youths might fare in life-or-death scenarios.

The column Young Blood is dedicated to horror stories for and about teenagers, as well as other young folks on the brink of terror.

Leprechaun Returns movie

Pictured: Linden Porco as The Leprechaun in Leprechaun Returns.

Continue Reading