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How To Start Getting Into Horror Part 14: Foreign

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This may sound silly to some of you but I was born before there was such a thing as public internet. I clearly remember when getting online required listening to the horrible screeching of a dial-up modem and cycling through AOL chat rooms. Yeah, I’m a member of that generation.

One of the most amazing things, in my opinion, that the internet did was that it, in a way, removed country boundaries. People in one part of the world could suddenly start talking to someone in a completely different country without waiting for letters to be mailed or having to pay absurdly long distance calling fees.

As a result, the cultures, thoughts, and joys of these people became far more readily accessible in ways never before seen. And you damn well better believe that this included movies, especially the horror kind.

So, let’s talk about some great foreign horror films and how to get into them!

WARNING: There Be Spoilers Ahead!!!

Perhaps the greatest joy I get from watching foreign horror films is that I get to see what scares other cultures, other people. It’s fascinating from an anthropological perspective because I simply observe, I don’t interact. This window into another way of life is something I relish.

While I know that many of you want me to recommend films like Martyrs, REC, High Tension, A Serbian Film, and similar titles, I’m sure that by now you know why I can’t do that. Those movies, while amazing, are way too intense and insane for someone who wants to dip their toes into the foreign horror ocean.

Rather, let’s start with Let The Right One In. One, it’s a beautifully crafted film, shot almost like a visual poem. That alone makes it a fascinating journey for any fan of cinema. But it’s how the movie actually plays out, slowly unwinding and earning your love and care for the two main protagonists: Oskar and Eli. The pain and suffering that Oskar goes through is something that many people can relate to while having someone like Eli is something many of us wish we’d had. Seeing Oskar’s bullies meet Eli was one of the most satisfying moments I’ve ever felt watching a film. However, that satisfaction quickly turned into self disgust as I realized what I’d just championed. It’s that incredibly range of emotions that makes me recommend this film.

Moving from Sweden to Spain, I recommend Pan’s Labyrinth. Once again, it’s another movie tat will utterly destroy your emotions. But that doesn’t make it any less horrific. The horrible situation that Ofelia has been thrust into makes her imaginary world beautiful but ever bitter. We know, even though we desperately don’t want to admit it, that her world isn’t real. It simply can’t be, regardless of how fantastical and appealing it is. So when that drop of Ofelia’s blood falls and her small smile slips away, we’re as crushed and broken as Mercedes. All the horrors and pain that she endured and we’re the ones left to pick up the pieces of our broken heart.

After watching these films, you’re gonna need something to prove that foreign horror isn’t all about breaking your heart and wrecking your emotions, right? What better than going to Japan and checking out Ringu? It’s creepy, it’s spooky, and it’s one of the films that really helped bring a wave of foreign horror to the American shores. Plus, it’s a great way to being the dark descent into J-horror, which features some of the most unique and absurd horror films I’ve ever seen.

Venturing down the rabbit hole of foreign horror can be incredibly daunting, so my ultimate recommendation is to go country by country and not try to leap boundaries. Take your time and really go into each culture to see what it has to offer because that’s the only real way to begin seeing patterns and themes, all of which will only enhance your viewing experience.

Check out the rest of our How To Start Getting Into Horror series.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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