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8 Festival Favorites We Can’t Wait For You to See in 2017!

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Raw

A coming-of-age via cannibalism tale, Raw is a unique little body horror film, though it is surprisingly tame considering its subject matter (or maybe I’m just a jaded horror fan who has seen one too many gore-fests). Still, the acting is top notch and the story will always have you wondering where it’s going to go next. While I didn’t love the film as much as others seemed to, I still enjoyed it quite a bit. The final moments of Raw are simply delightful so it’s no wonder that audiences voted Raw the 3rd best film of the festival.

2017 indie horror


Another WolfCop

The original WolfCop (review) got bogged down with an origin story that took up too much of the film. It also tried a little too hard to be a cult film, Another WolfCop (read my review)succeeds at having no goal other than to entertain. It’s a total blast of a film that is a significant step up from the original and should be seen with a large group of friends and a lot of drinks. The jokes come fast and furious, with almost all of them landing (except one gag involving an anthropomorphic penis that gets stale after two minutes). This isn’t high art here, it’s Another WolfCop!

2017 indie horror


Colossal

Nacho Vigalondo’s (Timecrimes, Open WindowsColossal (review) is a pleasant surprise. Billed as the “Anne Hathaway kaiju movie,” it actually has a lot more on its mind than monster mayhem. While it’s hardly a horror film (it’s more of a comedy with dramatic elements), I couldn’t resist including it on this list. The first half of the film is near perfect as Hathaway (who is outstanding) learns that a giant monster attacking Seoul is directly linked to her. The film earns plenty of laughs before some abrupt shifts in tone during its second half. These tonal shifts don’t always work, but the ending is so perfect that it’s almost enough to excuse the film’s flaws. Colossal may be too quirky to get a wide release, but this could easily turn into the feel-good movie of the year. If it ends up in a theater near you make it a point to seek it out.

2017 indie horror


The Invisible Guest

The Invisible Guest isn’t really a horror film but it’s too good not to include on this list (it even made it on Kalyn’s Top 10 list this year). It is a thrilling locked room mystery that finds a man on trial for murder after waking up in a hotel room next to the body of his lover. The majority of the film is told via flashback (or a flashback within a flashback, in some cases) as the characters try to put all of the pieces of the puzzle together. Director Oriol Paulo squeezes every bit of tension that he can out of his premise. The plot may rely a bit too much on coincidences, but they’re easily forgivable when the film is this entertaining. It’s a deliberately paced potboiler of a film that builds up to its totally insane and satisfying ending.

2017 indie horror

Which festival favorite are you looking forward to (hopefully) seeing this year? Let us know in the comments below!

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A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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