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When “The Extreme Ghostbusters” Met Pinhead and His Cenobites

Unlike so many sports drinks and snack foods in the late-90s, Extreme Ghostbusters earned its extremity. The younger, decidedly hipper team never went after the troubled spirit of a BMX biker or unnecessarily wore sunglasses. Extreme Ghostbusters wasn’t completely blameless – the grunge-caked cover of the theme song does it no favors and the advertising just had to call it XGB – but its oh-so-edgy adjective really referred to the show’s hellbent dedication to scaring the bejesus out of its core demographic.

As it stood, Extreme was already a sequel to The Real Ghostbusters, a series that mixed in more than a little nightmare fuel with Saturday Morning fun until the Family-Friendly Police of 1980s cartoons forced the creative team to cut it out. Before Slimer was promoted to above-the-title talent, The Real Ghostbusters visited various forms of hell, dealt with repressed trauma from a closet-traveling boogeyman and battled a trenchcoated allegory for child abduction. However dark it got, the show always ended with the heroes dancing down the street in their bright, color-coded jumpsuits.

When some of the same producers decided to make a follow-up in the mid-90s, with the far-too-cheery working title Super Ghostbusters, they found a cartoon landscape much more accepting of adult themes. From tip-to-tail, Extreme Ghostbusters would be darker, even in the most literal ways. Gone was the toyetic, crayon-friendly palette and angular, anime-inspired style of The Real Ghostbusters. Instead, Extreme Ghostbusters showed a washed-out world where night seemed to last 23 hours a day and the edges weren’t softer so much as worn down.

The ghosts looked like broken carnival mirror reflections of those from the original series, almost more alien than supernatural (a Men in Black animated series in almost the exact same style would debut a month later). And whereas The Real Ghostbusters relied on a lot of misunderstood spirits that took something more compassionate than a proton stream to evict, Extreme Ghostbusters was almost wall-to-wall poltergeists. Cannibal clowns that spread like an infection. A return of the child abductor surrogate, this time two of them, in an episode that had to be toned down significantly from its first draft. Bone-stealing demons that leave victims barely alive and looking like deflated balloons.

And an entire episode based explicitly on Hellraiser.

“Deadliners” was the fifth episode of Extreme Ghostbusters’ one and only season, first airing on September 5th, 1997. The character list on the final draft of the episode’s script, penned by producer and returning Real Ghostbusters writer Duane Capizzi, makes it plain:

THE VATHEK – a trio of otherworldly, Hellraiser type demons.

With names like “Crainiac” and “Gristle,” these monsters were as close to Cenobites as a cartoon would allow. Dead skin peeled and pulled taut over the red meat underneath. The leader wears a buzzsaw down the center of his skull. Another has no skull at all, but a pile of gurgling flesh folds, an empty sleeve from which a smaller, pulpy nightmare occasionally emerges to scream. Stitched mouths. Surgical drills for hands. Hollowed out eye sockets. On a show frequently and fatally misplaced in a timeslot aimed at preschoolers.

And who’s responsible for these grotesque parodies of human biology?

H.P. Kline – a reclusive horror writer – think Stephen King.

While the episode mentions King and softens the Lovecraft reference by renaming him J.N. Kline, it paints the fictional author most like another famous horror writer. Much like the rhyming R.L. Stine, Kline made a name for himself with a series of adolescent-aimed scary stories to tell in the dark that happen to start with the letter “G.” The only differences are that Kline’s series is “Gore,” the monsters are always the Vathek, and they just so happen to be real.

When reports come in that J.N. Kline has gone missing and locals have started disappearing around his remote, New England home, the Ghostbusters answer the call.

The monsters only borrow Hellraiser’s designs, eschewing the sexual sadomasochism for a motive kids could better understand and subsequently repress – the ritual carving and reconfiguration of human flesh. The Vathek consider skin nothing more than modeling clay and wax about “infinite aesthetic possibility” romantically and emotionlessly, somehow at the same time. The resulting plastic surgery successes are just as disturbing as their creators, if not even more so.

By the time the Ghostbusters find out Kline didn’t create the Vathek so much as make an ill-defined book deal with them, the episode hews closer to Lovecraft and another Lovecraft-inspired work, John Carpenter’s In the Mouth of Madness, where another author is imprisoned by his fictionalized, if not quite fictional works. As expected, the Ghostbusters eventually defeat the Vathek, conveniently restoring all their butchered experiments to normal (a common, if understandable cop-out for the show).

At the time, syndicated cartoons ran for 65 episodes almost by default; five episodes a week for 13 weeks, allowing stations to easily program a quarter. Extreme Ghostbusters only saw 40 before it was cancelled. If the timeslot killed the show, a few years of erratically scheduled timeslots buried it. Home video did no further favors – six episodes reached VHS and 13 hit DVD, but only in Europe. Extreme Ghostbusters never quite got enough credit, especially compared to its beloved predecessor. At a time when neither was the norm, Extreme followed a diverse cast of characters into stories that toed the line between scary and terrifying for its adolescent audience.

Fortunately, the series is now streaming in its entirety on Hulu, so the curious and the Clive Barker fans can enjoy Extreme Ghostbusters a whole lot easier than ever before.



  • ky

    This is awesome. I barely recall this show, but will go check it out tonight.

  • Elizabeth

    Holy sh*t. I love it when the creators of kid’s shows are huge horror fans. Scooby-Doo Mystery Incorporated is another one that had endless Easter eggs (also including Hellraiser).

    • Seal Clubber

      “Scooby Doo“ in general does not get the love it deserves for turning kids on to horror – even if they do not get the references until they are older.

  • Grimphantom

    Oh yeah, this show deserve the title Extreme but not because of trying to be hip or cool for the generation of kids back then but how the show really went to the extreme of being too dark and seriously since the first episode it was just dark and didn’t stop there, so many episodes that where so good to watch and many of them are so memorable.

    Aside of the Hellraiser homage they did homage to other horror movies or from something similar like Killer Klowns. Leprechaun and Wishmaster. This episode was truly creepy and i’m surprise the network actually let them do this, aside of the story the designs, damn those designs where just creepy!

    This show deserves more credit since not only went for darker themes they added alot of reference from the original cartoon, to the point of bringing a familiar villain that has a link to one of the main characters of Extreme and i thought it was really clever of them of doing that.

    I do recommend watching this series, you might find some of the dialogue cheesy(it was the 90’s) but overall it’s very fun to watch, especially watching it these days since we are just 1 month away for October!

  • AdamX

    The Cenobites also almost met Jay and Silent Bob and Freddy and Jason, they’ve had a busy couple of decades on paper.

    • Kristoffer Groves

      When did they almost meet Jay & Silent Bob?

      • AdamX

        There was once a rumor/treatment what have you that would have Jay and Silent Bob go to an asylum of sorts and open the puzzle box. All of kinds of weird shit would start happening around them while they played basically Abbott and Costello but stoned.

  • Otterlee

    Must find!

  • No Nose Nosferatu

    I may have to get some tattoos based on these designs. I love this stuff.

  • JoeInTheBox

    The timeslot definitely prematurely buried this show. On the East Coast, it was at 7:00am and if you’re lucky, some random, inconsistent slot on the weekend. Had the show been on Cartoon Network, it would have done much better.

    Every character grew on me during the course of the show as well. It was made more for fans of the original cartoon. Handled continuity really well. Wasn’t made for the syndication handling of cartoons.

  • sliceanddice

    loved the show as a kid. I can recall a lot of darker elements to it. also, so little made of how one of them was i a wheelchair.

  • HalesTales

    I cannot believe these creatures aired! That’s amazing. The one with the skin pulled to expose the muscles underneath is insane.

  • Alaric De Marnac

    The episode with the Grundle, the creature who turns children into beings like itself, was creepy. The scene where they contact it in the containment unit in order for it to talk to the female Ghostbuster was good, it tells her how it had a sweet nightmare of her!

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