Connect with us

Published

on

Butcher Block is a weekly series celebrating horror’s most extreme films and the minds behind them. Dedicated to graphic gore and splatter, each week will explore the dark, the disturbed, and the depraved in horror, and the blood and guts involved. For the films that use special effects of gore as an art form, and the fans that revel in the carnage, this series is for you.

Horror sequels are supposed to be bigger and better than their predecessor in every way. When it comes to slashers, a sequel is expected to top the body count and creativity in kills. Adam Green’s follow up to his 2006 love letter to slashers not only handily doubles the kill count with an expanded cast, but doubles the gallons of blood spilled and triples the gore. While the original trilogy could be played out back to back in one continuous, fluid narrative, it’s Hatchet II that earns the blood-soaked distinction of most gruesome kills.

Picking up immediately where Hatchet left off, with Marybeth Dunstan (now played by Danielle Harris) fighting off and escaping Victor Crowley (Kane Hodder) only to return to Reverend Zombie’s (Tony Todd) shop for answers. Cue a ragtag team assembly for Marybeth and Zombie’s return to the swamps, both for very different reasons. Green injects a dizzying amount of horror cameos before the cast is set loose in the swamp to become Crowley fodder; Marcus Dunstan (Saw IV, The Collector), Lloyd Kaufman (President of Troma Entertainment), Mike Mendez (the Gravedancers, Big Ass Spider!), Dave Parker (The Hills Run Red), and more. Director Tom Holland (Fright Night, Child’s Play) joins the cast in a larger role as Marybeth’s uncle.

Director and special effects artist John Carl Buechler also returns for one gnarly death, in which his character Jack Cracker gives aid to Marybeth only to lose his head by way of strangulation from his own intestines shortly after. With the same makeup crew returning for this sequel, Buechler handed special makeup effects reigns over to Robert Pendergraft, knowing Pendergraft was well prepared to head the makeup effects team. For a sequel with 17 on-screen kills and double the 50 gallons of blood used in the first film, Pendergraft more than delivered.

Victor Crowley dismembers and maims his way through the larger cast, with faces getting lobbed off and jaws being ripped from their hinges (a memorable Joe Lynch cameo), the makeup and special effects team had their work cut out for them.  The scene in which Crowley takes a chainsaw to the genitals of two victims at once, splicing them from groin to skull, meant that no one on screen or behind the lens was safe from the massive blood spray that the effects team rigged.

With so many insane kills, from intestinal decapitations to belt sander skull shaving, how do you deliver a memorable finale? A showdown between horror giants Hodder and Todd, as their characters battle for swamp supremacy, of course. The Rev. Zombie’s death is the most over the top demise worthy of a Mortal Kombat fatality. It’s of course this gruesome death and many others that drew the ire of the MPAA, granting the sequel an NC-17 rating. AMC backed the film, getting it placed in limited, unrated theatrical release, but by weekend’s end it was pulled.

Trimming any of the glorious makeup and special effects that Pendergraft and his team created would have been a shame; Crowley’s kills are the best part of the series. The level of cartoonish violence on display is so tongue-in-cheek fun, and that it was handled via practical effects in an age where practical effects is a rarity meant even more to celebrate. Whether you’re team Victor Crowley or not, it’s hard not to root for a practical effect driven bloodbath.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading