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‘In Fear’ Clip Leaves Clothes in the Road; Making-of Featurette

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We now have a third clip from the UK thriller In Fear (review), the critically acclaimed feature film debut of writer/director Jeremy Lovering, arriving March 11th on Blu-ray, VOD and DVD from Anchor Bay Films. In Fear will also enjoy several U.S. exclusive theatrical engagements starting Friday, March 7th.

In addition, check out a making-of video featurette that goes behind the scenes on the set of In Fear. They explain: “Each day began with Alice and Iain being given a couple of script outline pages to look over. Though not always the same version — suspicion and mistrust were being built every day. And nothing was revealed apart from the kind of thing they might talk about, examples of dialogue, their possible state of mind and a barometer of their relationship. In fact it often read like a relationship drama — none of the events, the horror beats were written down – so filming would begin innocuously enough and then something would surprise them… A door might slam, a branch land on the car roof, footsteps in the distance. And increasingly, because the shoot was chronological, day-by-day there was a steady escalation of fear. They couldn’t relax because they didn’t know if this would be the day when something bad happened. Every moment had a real sense of unease and tension. They couldn’t anticipate the scare or prepare themselves for the jump — they just had to experience it for real.

In Fear is a tense psychological horror about a young couple’s fight to make it through the night. Home invasion but in a car. In real-time. Tom (De Caestecker) and Lucy (Englert) are trapped in a maze of country roads with only their vehicle for protection, terrorized by an unseen tormentor hell-bent on exploiting their worst fears. Driving, lost and tormented in the night, primal fears of the dark and the unknown give way to fear that you have let the evil in, or that it is already there.”

Starring Iain De Caestecker (ABC’s hit series “Agents of S.H.I.E.L.D”), Alice Englert (Beautiful Creatures) and Allen Leech (“Downton Abbey”), In Fear stunned audiences in international film festivals in nine countries, including Canada’s Toronto After Dark, Germany’s Rosebud Entertainment Fantasy Festival, Spain’s Fancine – Festival de Cine Fantastico and South Korea’s Puchon International Fantastic Film Festival.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘She Loved Blossoms More’ – Wild First Look at Tribeca Movie Enters a Psychedelic Hellscape

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One of the genre films set to premiere at the Tribeca Film Festival in June is the sci-fi/drama She Loved Blossoms More, and a bonkers first-look photo has arrived this week (above).

Additionally, Variety reports this afternoon that Yellow Veil Pictures has secured world sales on She Loved Blossoms More, billed as a “family drama in science fiction disguise.”

In the film, “three brothers build an unusual time-machine in order to bring their long-dead mother back to life. When their delusional father comes into the picture, the experiments go awry, and they descend into a psychedelic hellscape where the past and present fuse in a comedic yet deeply disturbing exploration of grief.”

Yannis Veslemes directed the film and co-wrote with Dimitris Emmanouilidis.

Veslemes said in a statement shared by Variety, “[She Loved Blossoms More is] a ballad for the defeated, a comedy for the accursed, a moral tale for us all and our beloved families.”

She Loved Blossoms More is the first film we’ve onboarded at script stage, and it’s been quite amazing to see it come alive,” said Hugues Barbier of Yellow Veil Pictures. “We couldn’t be more proud of Yannis’ vision and the amazing team he has around him. Blossoms is an emotional thrill ride and a calling card for one of the most exciting new filmmakers.”

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