Movies
BD Review: ‘Kidnapped’ a Predictable Home Invasion Flick
Arriving On Demand next Wednesday, June 15, before arriving in theaters that following Friday is Miguel Angel Vivas’ Kidnapped, IFC Films’ Spanish-language home invasion flick that’s got a pretty decent amount of gore.
Bloody Disgusting’s Brian Orndorf had a chance to catch the flick and wasn’t as impressed as I was. Here are his thoughts:
“ ‘Kidnapped’ goes gratuitously dark in the final reel, exiting on a brutal note of sexual assault and bloody survival that’s excitedly executed, but almost predictable in its overkill. Vivas raises so much hell during the picture, the sucker punch conclusion is drowned out by all the noise, with a grand summation of malevolence crippled by artless anguish. ‘Kidnapped‘ endeavors to leave viewers a quivering mess by the time the end credits arrive (scored ironically with upbeat music), but all that’s truly valued from the picture is its hearty cinematographic achievement.”
Click the title above for the entire review and chime in with your own next week after it hits VOD.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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