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Bret Easton Ellis Fantasizes ‘American Psycho’ Literary Sequel

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American Psycho

With Lionsgate already prepping a new American Psycho feature (Dec. 8), author and franchise creator Bret Easton Ellis took to Twitter where he spent the past week talking up a potential written sequel as well. He has already made a demand as to who should take over as Patrick Bateman, so maybe his mind is racing with new ideas — or maybe he’s just a sarcastic fellow making a ton of jokes….

On March 10th he writes, “1:00 AM in L.A. and sitting at my desk finishing a script and suddenly I’m making notes on where Patrick Bateman’s now and maybe he could…” He continued: “Hmmm… Maybe I’ll call my publishers on Monday… But have to figure out what the structure is…

The idea? It’s absolutely unclear if the author is JOKING, but if he is for real, inside you can read a slew of tweets gathered that tease a potential new tale for the psychotic Patrick Bateman. [Now is the time to play The Nylon Curtain on iTunes] “Flashback: Patrick as a teenager and then moves into college before he gets to New York and how Pierce & Pierce is forced by his dad to…”

“Definitely murders at prep school and …”

“Patrick at Harvard listening to The Nylon Curtain… maybe Nebraska… maybe Don Henley…”

“I would love Patrick dissecting Don Henley’s “Building the Perfect Beast”…”

“Patrick’s first killing would not have been at Harvard. It would have been before… it would have been his father’s mistress…”

“Patrick would hate Obama and for example, go into great detail about the Honey Badger fraudulence of #Kony2012 and he’d love Kim Kardashian.”

“How would Patrick Bateman deal with the notion of transparency? Or did he already deal with it in the original? Thoughts as I write notes…”

“Patrick would post pics of murdered girls on Facebook and either no one would notice or post “Fuck yeah” and that’s what I’m thinking about.”

“Patrick would talk about Adele and Kanye and KATY PERRY because “Firework” is his favorite song… and then he kills Katy Perry’s trainer…”

“Patrick’s iPad would start speaking to him… Telling him Adele’s cover of The Cure drove him to killing, well, just about everybody…”

“I’ve three pages on where Patrick Bateman is now and where he came from. The most violent scene is in a sorority where PB rapes/kills 12…”

“Patrick would go on a very long dissertation about Coldplay’s oeuvre… His favorite song being “Fix You”…”

“Patrick would complain about spotify and the cloud and tumbler…but he would find victims via Blendr while listening to Beyonce and O.A.R.”

Ellis goes on and on via his Twitter feed, with many of his ideas leading this writer to believe he’s JOKING. Ellis is a sly fox, so we’ll have to see where this heads, either way he’s an entertaining writer that also deserves to be read via Twitter.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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