Movies
‘BioShock’ Movie Still in the Cards, Abandoning Game Elements?
Some interesting news was hiding over at Industry Gamers where they chatted with creative director of Irrational Games, Ken Levine, who explained that making a sweet new “BioShock” game is way more important than getting a movie off the ground — not to say they wouldn’t want a big screen adaptation. They just want it done right.
“I think for us as a company, we don’t have any need to get a movie made. We’d like to have a movie made, but it would have to be the right one, and we’ve had the opportunity to get it made and unless all the right pieces are in place – it’s hard enough to get a movie made when all the right pieces are in place,” said Levine. He continues, “you always have to have all of those pieces in place and that’s going to be very challenging. It’s a moving puzzle, but I’m going to be continually talking to people about it. It’s definitely something that’s still in the conversation.”
While it’s still in talks, there’s this little nugget that implies maybe there will be some drastic differences between the game and movie: “…there’s a version of ‘BioShock’ that makes a great game and there’s probably a version of ‘BioShock’ that makes a great movie.” Sounds similar to the “Preacher” quandary. Would they abandon Rapture?
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
4 New Horror Movies Releasing This Week Including ‘Late Night with the Devil’ at Home
‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape
‘Sting’ Review – Throwback Creature Feature Entertains With an Impressive Practical Monster
Looking for New Episodes of “Chucky” on Peacock? Here’s What Changed
“We Built Every Creature” – ‘Alien: Romulus’ Goes Heavy on the Old School Practical Effects!
You must be logged in to post a comment.