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Troubled Waters: ‘The Crow’ Lawsuit, ‘Dark Tower’ Safe – For Now

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In what could easily be a record breaking news day, we’ve got a few news briefs that we’re gonna jam into this one piece.

Dark Tower is staying at Universal. At least for now, writes THR. The massive Universal-Imagine-NBC adaptation of Stephen King’s mystical Western opus hit snags last week with some reports claiming that project was in turnaround. The project did hit budgetary snags and the fall start date was shelved. But Ron Howard, Brian Grazer and Akiva Goldsman have regrouped to try to bring the budget down. Insiders say the end result is that Goldsman is now rewriting the script to reflect a lower price point. No start date has been given although it will certainly not be the fall. What that does to the involvement of Javier Bardem, who was attached to star in the first movie and the first TV arc, is unclear. Dark Tower is to be a film trilogy with a TV component in between the movies. Howard has committed to direct the movie and the first episode of the show, with Goldsman writing all three movies.

In other troublesome news, Relativity is just getting warmed up to battle the Weinstein Company over the rights to The Crow reboot to be directed by Juan Carlos Fresnadillo and star Bradley Cooper. Variety reports that Relativity has accused the Weinstein Co. of intentionally masking its financial problems in order to induce Relativity to finance the TWC tuner Nine. Relativity made the claim in a response filed Thursday in to the lawsuit TWC filed against Relativity over rights to remake of The Crow.

Plenty more on this inside.
Relativity’s response, which seeks more than $20 million, stems from TWC’s injunction filed last month in which the company sought to halt Relativity from selling distribution rights to anyone but TWC.

But Relativity has its own grievances – claiming that TWC’s “mishandling” of the co-financed B.O. disappointment “Nine” two years ago is reason enough to shop “The Crow” elsewhere.

In the filing, Relativity claims “TWC’s unilateral, ill-founded decision regarding the film’s release directly resulted in the movie ‘Nine’ being a commercial disaster. Based on the information available to it, Relativity does not believe that TWC has the ability to meet ($70 million in P&A) obligations … and Relativity is under no obligation to allow TWC to ruin let another movie.”

TWC attorney Bert Fields called Relativity’s response “complete hogwash.”

If Mr. Kavanaugh had a claim on ‘Nine,’ he would have raised it at the time of ‘Nine,’” Fields told Variety. “If Mr. Kavanaugh hasn’t been living in a tree, he knows that the Weinsteins have completely restructured their company and have all the money they need and will get even more from ‘The King’s Speech … this is a thin excuse for violating his contract and repudiating ‘The Crow.’

Relativity’s response also includes a motion to move the dispute over “The Crow” into arbitration, not litigation as Fields has requested through the injunction. Relativity cites a clause in their March 2009 agreement that calls for any disputes to be settled through “confidential arbitration proceedings.”

Law firms Weiss & Hunt, LLP and K&L Gates, LLP filed the response for Relativity, which include claims of breach of duty of good faith and fair dealing, repudiation, and unfair business practices.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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