Movies
Troubled Waters: ‘The Crow’ Lawsuit, ‘Dark Tower’ Safe – For Now
In what could easily be a record breaking news day, we’ve got a few news briefs that we’re gonna jam into this one piece.
Dark Tower is staying at Universal. At least for now, writes THR. The massive Universal-Imagine-NBC adaptation of Stephen King’s mystical Western opus hit snags last week with some reports claiming that project was in turnaround. The project did hit budgetary snags and the fall start date was shelved. But Ron Howard, Brian Grazer and Akiva Goldsman have regrouped to try to bring the budget down. Insiders say the end result is that Goldsman is now rewriting the script to reflect a lower price point. No start date has been given although it will certainly not be the fall. What that does to the involvement of Javier Bardem, who was attached to star in the first movie and the first TV arc, is unclear. Dark Tower is to be a film trilogy with a TV component in between the movies. Howard has committed to direct the movie and the first episode of the show, with Goldsman writing all three movies.
In other troublesome news, Relativity is just getting warmed up to battle the Weinstein Company over the rights to The Crow reboot to be directed by Juan Carlos Fresnadillo and star Bradley Cooper. Variety reports that Relativity has accused the Weinstein Co. of intentionally masking its financial problems in order to induce Relativity to finance the TWC tuner Nine. Relativity made the claim in a response filed Thursday in to the lawsuit TWC filed against Relativity over rights to remake of The Crow.
Plenty more on this inside.
Relativity’s response, which seeks more than $20 million, stems from TWC’s injunction filed last month in which the company sought to halt Relativity from selling distribution rights to anyone but TWC.
But Relativity has its own grievances – claiming that TWC’s “mishandling” of the co-financed B.O. disappointment “Nine” two years ago is reason enough to shop “The Crow” elsewhere.
In the filing, Relativity claims “TWC’s unilateral, ill-founded decision regarding the film’s release directly resulted in the movie ‘Nine’ being a commercial disaster. Based on the information available to it, Relativity does not believe that TWC has the ability to meet ($70 million in P&A) obligations … and Relativity is under no obligation to allow TWC to ruin let another movie.”
TWC attorney Bert Fields called Relativity’s response “complete hogwash.”
“If Mr. Kavanaugh had a claim on ‘Nine,’ he would have raised it at the time of ‘Nine,’” Fields told Variety. “If Mr. Kavanaugh hasn’t been living in a tree, he knows that the Weinsteins have completely restructured their company and have all the money they need and will get even more from ‘The King’s Speech … this is a thin excuse for violating his contract and repudiating ‘The Crow.’ ”
Relativity’s response also includes a motion to move the dispute over “The Crow” into arbitration, not litigation as Fields has requested through the injunction. Relativity cites a clause in their March 2009 agreement that calls for any disputes to be settled through “confidential arbitration proceedings.”
Law firms Weiss & Hunt, LLP and K&L Gates, LLP filed the response for Relativity, which include claims of breach of duty of good faith and fair dealing, repudiation, and unfair business practices.
The Bloody Disgusting-powered SCREAMBOX is home to a variety of unique horror content, from originals and exclusives to cult classics and documentaries. With such a rapidly-growing library, there are many hidden gems waiting to be discovered.
Here are five recommendations you can stream on SCREAMBOX right now.
At the Abigail premiere, Dan Stevens listed Norway among his four favorite vampire movies. “I just saw a great movie recently that I’d never heard of,” he told Letterboxd. “A Greek film called Norway, about a vampire who basically exists in the underground disco scene in ’80s Athens, and he can’t stop dancing ’cause he’s worried his heart will stop. And it’s lovely. It’s great.”
You won’t find a better endorsement than that, but allow me to elaborate. Imagine Only Lovers Left Alive meets What We Do in the Shadows by way of Yorgos Lanthimos. The quirky 2014 effort follows a vampire vagabond (Vangelis Mourikis) navigating Greek’s sordid nightlife circa 1984 as he dances to stay alive. Not as campy as it sounds, its idiosyncrasies land more in the art-house realm. Stylized visuals, colorful bloodshed, pulsating dance music, and an absurd third-act reveal help the existentialism go down in a mere 74 minutes.
With the recent solar eclipse renewing public interest in the astrological event, Bloody Birthday is ripe for rediscovery. Three children born during an eclipse – Curtis Taylor (Billy Jayne, Parker Lewis Can’t Lose), Debbie Brody (Elizabeth Hoy), and Steven Seton (Andrew Freeman) – begin committing murders on their 10th birthday. Brother and sister duo Joyce (Lori Lethin, Return to Horror High) and Timmy Russell (K.C. Martel, The Amityville Horror) are the only ones privy to their heinous acts.
Bloody Birthday opened in 1981 mere weeks before the release of another attempt to claim the birthday slot on the slasher calendar, Happy Birthday to Me. Director Ed Hunt (The Brain) combines creepy kid tropes that date back to The Bad Seed with slasher conventions recently established by Halloween and Friday the 13th – with a little bit of the former’s suspense and plenty of the latter’s gratuity. The unconventional set up helps it to stand out among a subgenre plagued by banality.
Starting in the late ’70s and throughout the ’80s, Italy built an enterprise out of shameless rip-offs of hit American movies. While not a blatant mockbuster like Cruel Jaws or Beyond the Door, 1989’s Alien from the Abyss (also known as Alien from the Deep) was inspired by – as you may have guessed from its title – Alien, Aliens, and The Abyss.
After a pair of Greenpeace activists attempt to expose an evil corporation that’s dumping contaminated waste into an active volcano, the environment takes a backseat to survival when an extraterrestrial monster attacks. Character actor Charles Napier (The Silence of the Lambs) co-stars as a callous colonel overseeing the illicit activities.
Director Antonio Margheriti (Yor: The Hunter from the Future, Cannibal Apocalypse) and writer Tito Carpi (Tentacles, Last Cannibal World) take far too long to get to the alien, but once it shows up, it’s non-stop excitement. The creature is largely represented by a Gigeresque pincer claw that reaches into the frame, giving the picture a ’50s creature feature charm, but nothing can prepare you for its full reveal in the finale.
Set against the backdrop of displaced Syrian and Palestinian refugees, What Is Buried Must Remain is a timely found footage hybrid from Lebanon. It centers on a trio of young filmmakers as they make a documentary in a decrepit mansion alleged to be haunted on the outskirts of a refugee camp. Inside, they find the spirits of those who died there, both benevolent and malicious.
It plays like Blair Witch meets The Shining through a cultural lens not often seen in the genre. The first half is presented as found footage (with above-average cinematography) before abruptly weaving in more traditional film coverage. While the tropes are familiar, the film possesses a unique ethos by addressing the Middle East’s plights of the past and the present alike.
Cathy’s Curse is, to borrow a phrase from its titular creepy kid, an “extra rare piece of shit.” The Exorcist, The Omen, and Carrie spawned countless low-budget knock-offs, but none are as uniquely inept as this 1977 Canuxploitation outing. Falling squarely in the so-bad-it’s-good camp, it’s far more entertaining than The Exorcist: Believer.
To try to make sense of the plot would be futile, but in a nutshell, a young girl named Candy (Randi Allen, in her only acting role) becomes possessed by the vengeful, foul-mouthed spirit of her aunt, destroying the lives of anyone who crosses her path. What ensues is a madcap mélange of possession, telekinesis, teleportation, animal attacks, abandoned plot points, and unhinged filmmaking that must be seen to be believed.
Visit the SCREAMBOX Hidden Gems archives for more recommendations.
Start screaming now with SCREAMBOX on iOS, Android, Apple TV, Prime Video, Roku, YouTube TV, Samsung, Comcast, Cox, and SCREAMBOX.com!
Looking for New Episodes of “Chucky” on Peacock? Here’s What Changed
‘Mountain Man’ – Joe Manganiello Will Battle Zombies in Upcoming Horror Movie
‘The Blair Witch Project’ – Original Stars Release a Statement Asking Lionsgate for Residuals & Recognition
‘Trap’ – Official Trailer Previews a Wild New Horror Experience from M. Night Shyamalan
‘Longlegs’ – New Teaser Video for NEON Horror Movie Is Soaked in Cryptic Eeriness
You must be logged in to post a comment.