Movies
Troubled Waters: ‘The Crow’ Lawsuit, ‘Dark Tower’ Safe – For Now
In what could easily be a record breaking news day, we’ve got a few news briefs that we’re gonna jam into this one piece.
Dark Tower is staying at Universal. At least for now, writes THR. The massive Universal-Imagine-NBC adaptation of Stephen King’s mystical Western opus hit snags last week with some reports claiming that project was in turnaround. The project did hit budgetary snags and the fall start date was shelved. But Ron Howard, Brian Grazer and Akiva Goldsman have regrouped to try to bring the budget down. Insiders say the end result is that Goldsman is now rewriting the script to reflect a lower price point. No start date has been given although it will certainly not be the fall. What that does to the involvement of Javier Bardem, who was attached to star in the first movie and the first TV arc, is unclear. Dark Tower is to be a film trilogy with a TV component in between the movies. Howard has committed to direct the movie and the first episode of the show, with Goldsman writing all three movies.
In other troublesome news, Relativity is just getting warmed up to battle the Weinstein Company over the rights to The Crow reboot to be directed by Juan Carlos Fresnadillo and star Bradley Cooper. Variety reports that Relativity has accused the Weinstein Co. of intentionally masking its financial problems in order to induce Relativity to finance the TWC tuner Nine. Relativity made the claim in a response filed Thursday in to the lawsuit TWC filed against Relativity over rights to remake of The Crow.
Plenty more on this inside.
Relativity’s response, which seeks more than $20 million, stems from TWC’s injunction filed last month in which the company sought to halt Relativity from selling distribution rights to anyone but TWC.
But Relativity has its own grievances – claiming that TWC’s “mishandling” of the co-financed B.O. disappointment “Nine” two years ago is reason enough to shop “The Crow” elsewhere.
In the filing, Relativity claims “TWC’s unilateral, ill-founded decision regarding the film’s release directly resulted in the movie ‘Nine’ being a commercial disaster. Based on the information available to it, Relativity does not believe that TWC has the ability to meet ($70 million in P&A) obligations … and Relativity is under no obligation to allow TWC to ruin let another movie.”
TWC attorney Bert Fields called Relativity’s response “complete hogwash.”
“If Mr. Kavanaugh had a claim on ‘Nine,’ he would have raised it at the time of ‘Nine,’” Fields told Variety. “If Mr. Kavanaugh hasn’t been living in a tree, he knows that the Weinsteins have completely restructured their company and have all the money they need and will get even more from ‘The King’s Speech … this is a thin excuse for violating his contract and repudiating ‘The Crow.’ ”
Relativity’s response also includes a motion to move the dispute over “The Crow” into arbitration, not litigation as Fields has requested through the injunction. Relativity cites a clause in their March 2009 agreement that calls for any disputes to be settled through “confidential arbitration proceedings.”
Law firms Weiss & Hunt, LLP and K&L Gates, LLP filed the response for Relativity, which include claims of breach of duty of good faith and fair dealing, repudiation, and unfair business practices.
Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.
First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.
Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.
Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.
Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.
“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”
She adds, “We are very much intent on continuing that story.”
At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.
Stay tuned for more on The Invisible Man 2 as we learn it.
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