Movies
Hit and Run Gives Feeling of ‘Inertia’ to ‘Apollo 18’ Director
Spanish director Gonzalo Lopez-Gallego blasted onto the Weinstein’s radar with his foreign language King of the Hill (El rey de la montaña). The brothers were so impressed they tapped him to direct Apollo 18, the found-footage sci-fi horror film that’s been delayed to August. Word on the street is that it was not a good experience, which is why it comes as no shock that Lopez-Gallego is heading back to his home country.
Next up he’ll direct Inertia, which he co-wrote with Fernando Navarro.
“Just another day and as usual Burman goes to work as a courier. Half way through the morning he is witness to a brutal car accident. A car goes up onto the pavement and runs over a boy. The driver flees the scene. The boy is very seriously injured. Burman calls an ambulance and then, without really thinking about it, hits the accelerator of his van to follow the car, which then speeds up to avoid being caught.
This turns out to be an everlasting day in which Burman will discover that nothing is as it seems and that behind what at first appears to be accidental, hides a intriguing mystery. To catch the driver and reveal his face will become an obsession that will make lead him to situations he could never have imagined.”
After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.
You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!
Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.
Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”
“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.
She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”
Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.
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