Movies
Smile, You’re Being Watched in Creepy ‘388 Arletta Avenue’ Posters
It’s all in good intent, or so says the smiley emoticon that rocks a slew of creeptacular posters for Randall Cole’s 388 Arletta Avenue đ, the Vincenzo Natali (Cube, Splice) produced horror flick starring Nick Stahl, Mia Kirshner and Devon Sawa.
“Shot from the point of view of hidden cameras, the film follows a thirty-something couple, James and Amy Deakin, as they are secretly videotaped 24/7 by a mysterious stalker in their home, on the streets and at their workplace. The stalker uses information gleaned from the footage to subtly manipulate the unsuspecting couple and cracks in their relationship surface. When Amy suddenly vanishes, James is not sure whether she has been abducted or has simply left him. As the acts of the tormentor become more twisted and violent, James desperately tries to figure out who is behind the terror in order to save his wife. But it seems the stalker is always one move ahead…”
The thriller is now in post and was for sale at Cannes. No word a distributor yet, but with the names involved it can’t be too far behind.
Filming is underway on The Invisible Man director Leigh Whannellâs Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannellâs second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannellâs The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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