Movies
‘The Goon’ Hasn’t Moved An Inch
As much as I’d love to see Eric Powell’s The Goon adapted for the big screen, I’m frankly sick of hearing stories about it not happening. How about they stop jumping the gun with announcements and work on it behind closed doors, especially since Powell revealed the animated genre pic has NO FUNDING, and NEVER DID.
“Recently some sites have been saying the ‘Goon’ film has been nixed based on comments from Paul Giamatti saying he didn’t know where the film was at and we must have ran out of money,” said Powell on his blog. “Let me assure you we have not run out of money… because we never had any money to run out of.
It’s been a while since anyone spoke to Giamatti about the project and I guess he wasn’t kept in the loop as to what was going on. So zip up your fly, Internet. ‘The Goon’ is in the exact same position it’s been in for the past couple of years. Prepping the design and script while searching for funding.”
Good to know, maybe next time don’t jump the gun on an announcement? This isn’t even development hell, it’s worse.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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