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New ‘Halloween’ Book In The Works, ‘Halloween 3D’ Pushed Back?

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There are some unconfirmed reports emerging that Halloween 3D may be getting pushed back from its October 26th release date. As of right now, STYD is reporting that the film has been moved to next year. Right now their story is unconfirmed, but the film hasn’t started shooting – or even firm casting yet. So I wouldn’t necessarily expect it this year.

When BD’s Brian Collins sat down for a chat with Todd Farmer about the status of that project back in September, the date still looked to be October of this year, if not sooner. “Absolutely. The date has been set. October of 2012. And even that can be pushed forward if the movie’s ready, like the last couple.” We’ll see what comes of it in the next few days. But in this town, it’s usually later rather than sooner. And the lack of momentum thus far does indicate that it might be pushed.

In other, better, Halloween news, if you liked “Crystal Lake Memories” then the writers of “Halloween: The Complete Authorized History” are looking to tickle your fancy as well.

Hit the jump for the press release on the new compendium. Per Press Release, “Trancas International Films is proud to announce “Halloween: The Complete Authorized History” by Justin Beahm is now in production, taking the iconic franchise from screen to page in what will be an exhaustive exploration of all ten films, as well as ‘Halloween 3D’, now in pre-production. Timed for release in October of 2013 in celebration of the series’ 35th Anniversary, “Halloween: The Complete Authorized History” will tell the story of each picture via dozens of interviews with the people who made it happen, from directors to producers, composers to fx artists, writers to stunt personnel.

Halloween: The Complete Authorized History” will be heavily illustrated, containing hundreds of rare images, documents, props, artifacts, and promotional materials, culled from the Trancas archives and personal collections of those involved. In addition, the book will feature historical genre magazine articles relating to each film’s release, as well as new original artwork from some of today’s most notable talents.

Justin Beahm is a contributing editor at Fangoria magazine, a senior writer at Famous Monsters of Filmland magazine, and is now Editor-In-Chief of HalloweenMovies.com. In addition, Justin is Creative Director of Hip Bonz merchandise company, and Vice President of the sCare Foundation, a non-profit group of horror genre personalities dedicated to combating teenage homelessness and poverty (more at scareoundation.org).

Stay tuned to OfficialHalloweenBook.com and Facebook.com/HalloweenBook for the latest updates, exclusive content, contests, and more!

Movies

‘She Loved Blossoms More’ – Wild First Look at Tribeca Movie Enters a Psychedelic Hellscape

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One of the genre films set to premiere at the Tribeca Film Festival in June is the sci-fi/drama She Loved Blossoms More, and a bonkers first-look photo has arrived this week (above).

Additionally, Variety reports this afternoon that Yellow Veil Pictures has secured world sales on She Loved Blossoms More, billed as a “family drama in science fiction disguise.”

In the film, “three brothers build an unusual time-machine in order to bring their long-dead mother back to life. When their delusional father comes into the picture, the experiments go awry, and they descend into a psychedelic hellscape where the past and present fuse in a comedic yet deeply disturbing exploration of grief.”

Yannis Veslemes directed the film and co-wrote with Dimitris Emmanouilidis.

Veslemes said in a statement shared by Variety, “[She Loved Blossoms More is] a ballad for the defeated, a comedy for the accursed, a moral tale for us all and our beloved families.”

She Loved Blossoms More is the first film we’ve onboarded at script stage, and it’s been quite amazing to see it come alive,” said Hugues Barbier of Yellow Veil Pictures. “We couldn’t be more proud of Yannis’ vision and the amazing team he has around him. Blossoms is an emotional thrill ride and a calling card for one of the most exciting new filmmakers.”

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