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Johnny Depp To Tell West Memphis Three Story

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Johnny Depp and his producing partner Christi Dembrowski and their Infinitum Nihil production shingle have yet another interesting project in development. Deadline reports that they’ve optioned film rights to the soon-to-be-published and as-yet-untitled book by Damien Echols which reveals his experiences on death row after his wrongful conviction and subsequent wrongful 18-year imprisonment for the 1993 murder of three 8-year-old boys in West Memphis, Arkansas.

The memoir will be published in September 2012 by Blue Rider Press, an imprint of Penguin Books.

The injustice of the West Memphis Three story drew badly needed support from the entertainment community’s Peter Jackson, Eddie Vedder, Natalie Maines, Henry Rollins, and of course Depp. The actor and his producing partner have long been wanting and waiting to explore this story and will develop the narrative as a feature film with Echols and his wife Lorri Davis, who will be executive producers.

Their collective take is to spotlight the controversial conviction and imprisonment of the then 18-year-old who’s now in his mid-30s and to present his life before conviction as well its twists and turns leading to release. For those unfamiliar with the case, teenagers Echols, Jessie Misskelley Jr, and Jason Baldwin were arrested and convicted in 1994 for the murder of three young Cub Scouts who were the victims of a supposed satanic ritual. Despite faulty DNA evidence presented by prosecutors, Echols was condemned to death and Misskelley Jr and Baldwin sentenced to life in prison. The convictions drew national attention due to the brutality of the crimes, the lack of evidence, and the defendants’ insistence that they were innocent.

A documentary film produced in 1996, “Paradise Lost,” helped to shed light on the wrongful convictions, and an investigation provided critical information that finally helped the West Memphis Three achieve freedom in August 2011. That formed the basis of director Amy Berg’s upcoming 2012 feature documentary “West of Memphis” produced by filmmaker Jackson & Fran Walsh.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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