Movies
TV: SyFy Spins Horrific Fairy Tales on Saturday Nights
Syfy is reinventing fairy tales and pop culture characters as part of its Saturday night TV movie franchise. The network is airing five titles that give a contemporary twist on a classic story, from “Hansel & Gretel” (years after escaping the witch in the haunted forest, Hansel returns seeking revenge) to “Little Red Riding Hood” (a descendant of Little Red discovers her family secretly hunts werewolves). Syfy’s Saturday movies continue to be one of the last bastions of regularly produced made-for-TV movies. Each film is typically an international co-production made with a budget of about $2 million and shot on 35mm film. Syfy works with about 10 indie studios, which also distribute the titles on DVD. Each tends to average about 1.8 million viewers Saturdays during the network’s twice-monthly original airings. Syfy’s series of fairy tale titles kick off with “Beauty and the Beast” on Feb. 27.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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