Movies
Horror Returns to the Cover of EW, New ‘Scream 4’ Clip, TV Spots, Kevin Williamson Gets Brutally Honest!
It’s a Scream 4 extravaganza as we’ve got all sorts of goodies leading you up until next week’s release (April 15).
First, and the most exciting in my opinion, is the brand new cover for Entertainment Weekly, which features good ol’ Ghostface! It’s rare when mainstream media gives horror this much love; only good things can come of it. You can watch a video of the photo shoot from set here.
Included in the article, screenwriter Kevin Williamson opens up about the on set turmoil: “Everyone was second-guessing everything, because everyone wanted it to be so perfect,” Williamson recalls. His arguments with Weinstein intensified over the months and ultimately came to a head. “Oh, I got in a big fight with Bob,” says Williamson. “We got into a massive fight creatively, and we hugged it out and then we moved on.”
Also, beyond the break you can dig on a fourth clip that features a bit of death, alongside two new TV Spots.
Next week Bloody Disgusting will bring you an exclusive interview with director Wes Craven, with the official review on Wednesday.
Watch all four clips and b-roll:
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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