Movies
U.S. Trailer for IFC Films’ ‘We Are the Night’
It was announced last week that IFC Films acquired Dennis Gansel’s We Are the Night, “a sexy and suspenseful thriller about a young woman initiated into a trio of beautiful female vampires.”
The film is making its way to U.S. audiences following commercially successful runs in Europe and will have nationwide VOD releases and a limited theatrical run. It will be released theatrically in New York City in rep on May 27th at the prestigious ReRun arthouse theater and will be available nationwide on video-on-demand beginning May 25th.
While we’ve had international footage, a U.S. trailer has just been release.
“Dennis Gansel, director of the critically acclaimed THE WAVE, explores a seething dark side of Berlin in the WE ARE THE NIGHT. Following a sect of seductive female vampires that hide out in the city’s alternative clubs, enjoying the luxury and pleasures their attained immortality provides them and wreaking horror on a string of unsuspecting victims, the film is a brilliantly stylized vision of the classic vampire myth — a sensual, charismatic thrill ride fascinated with all aspects of the night.”
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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