Movies
U.S. Trailer for IFC Films’ ‘We Are the Night’
It was announced last week that IFC Films acquired Dennis Gansel’s We Are the Night, “a sexy and suspenseful thriller about a young woman initiated into a trio of beautiful female vampires.”
The film is making its way to U.S. audiences following commercially successful runs in Europe and will have nationwide VOD releases and a limited theatrical run. It will be released theatrically in New York City in rep on May 27th at the prestigious ReRun arthouse theater and will be available nationwide on video-on-demand beginning May 25th.
While we’ve had international footage, a U.S. trailer has just been release.
“Dennis Gansel, director of the critically acclaimed THE WAVE, explores a seething dark side of Berlin in the WE ARE THE NIGHT. Following a sect of seductive female vampires that hide out in the city’s alternative clubs, enjoying the luxury and pleasures their attained immortality provides them and wreaking horror on a string of unsuspecting victims, the film is a brilliantly stylized vision of the classic vampire myth — a sensual, charismatic thrill ride fascinated with all aspects of the night.”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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