Movies
And On ‘Day 38’, McG Hooked Up With Syfy Films
Back in August of 2010, we told you about a project that was making its way around town called Day 38. At the time it was being described as Twister meets Cloverfield meets Predator. The film, “begins in the face of a Category 5 tornado where a group of storm chasers find themselves fighting off a force greater than Mother Nature.“.
Now, it appears that the project has been in development with McG’s Wonderland Sound and Vision and they’ve struck a deal with Syfy films to get it out there with Richard Farmer directing.
Per Variety, “Syfy Films is developing “Day 38” and is in early talks with McG and Mary Viola to produce, and Richard Farmer to direct the found-footage thriller. Project, scripted by Chris Rossi and Gabe Scott, was developed in-house at McG’s Wonderland Sound and Vision with Farmer — a noted commercial director whose latest campaigns include Sims, Activision and Nintendo. It’s Wonderland’s/McG’s first partnership with Syfy.”
I don’t think found footage works for everything, but since Tornado Chasers are always filming sh*t anyway, they shouldn’t have too many motivation issues on this one.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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