Movies
Uncensored Trailer, Poster For Hypnotic Indie ‘Junkie’
While Joe Johnston works on his screenplay for NSFW, writer Adam Mason (who co-wrote with Simon Boyes) is gearing up to release his hypnotic indie Junkie, which now has an uncensored trailer, one-sheet and official website.
“‘Junkie’ is a black comedy about two drug addled brothers, Danny (Daniel Louis Rivas) and Nicky (Robert LaSardo).
When Danny wakes up one morning and decides he’s going clean, Nicky’s not taking it lying down, and drives Danny from one insane experience to another as a whole host of bizarre, surreal characters descend on their sprawling, dilapidated mansion, all with grievances to bear, debts to reclaim or trouble to cause.
As Danny’s life spirals out of control he must fight tooth and nail to kick the habit and rescue himself from the personal hell Nicky has consigned him to, whilst simultaneously attempting to repair the deeply damaged relationships with his increasingly bizarre friends and family.”
Mason directed Blood River, The Devil’s Chair, Pig and the forthcoming Luster. This film reteams him with regular Andrew Howard who can also be seen in the I Spit on Your Grave remake from Anchor Bay.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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