Movies
See The ‘Cold Skin’ Creature In Early Concept Art
Frontier(s) and The Divide director Xavier Gens, who is also in development on James Wan’s House of Horrors, has shared some early concept art from his long gestured adaptation, Cold Skin, which once had 30 Days of Night’s David Slade attached to direct.
“Cold Skin” is the debut novel by Catalan author Albert Sánchez Piñol. The novel chronicles the stay of an unnamed weather official on a remote island in the south Atlantic close to the Antarctic Circle. The film adaptation was written by 28 Weeks Later‘s Jesus Olmo.
“On the edge of the Antarctic Circle, in the years after World War One, a steamship approaches a desolate island far from all shipping lanes. On board is a young man, on his way to assume the post of weather observer, to live in solitude at the end of the earth. But on shore he finds no trace of the man whom he has been sent to replace, just a deranged castaway who has witnessed a horror he refuses to name. For the next twelve months his entire world will consist of a deserted cabin, trees, rocks, silence and the surrounding sea. Then night begins to fall…”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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