Connect with us

Movies

[Tribeca ’12] A Look At ‘Resolution’, A Film That Defies Genre Classification

Published

on

Rat King, Replicas… with Tribeca horror features, it’s usually pretty difficult to get a full flavor of what the films will be like, as they are often world premieres or shrouded in some sort of secrecy. That being said, there is still one film on my radar that I’m looking forward to covering for sure, and that is Resolution, directed by Justin Benson and Aaron Scott Moorhead.

Michael is committed to getting his best friend Chris to sober up and put his life back on track. But what begins as an attempt to save his friend’s life quickly takes an unexpected turn as the two friends confront personal demons, the consequences of past actions, and forces beyond their control. Expertly balancing dark humor, heart, and thrills, Resolution is an utterly unique cinematic experience that defies genre classification.

The drug dealer violence / detox slant looks like it makes for some good tension, but with the synopsis saying that it defied genre classification – I got wary as to whether or not this was something BD viewers would want within their horror realm. I contacted newcomer Justin Benson and asked him what we might expect. ResolutionWhile the “defies genre classification” part is accurate, we also proudly embrace that we are “a horror movie.” Even though Resolution is not an homage to anything in particular, and every decision we made went toward making something we’d never seen before, there is one horror movie tradition we firmly stuck to: making the smartest, funniest, creepiest movie we could make, with whatever resources we could scrounge up.

Justin went on to mention how he reads Bloody-Disgusting every morning while he has his coffee, so I asked him where his blood roots were embedded.

There are so many amazing films across the broad spectrum of horror that we admire. Actually the list of horror films we love is massive and gets pretty obscure. That being said, in the making of ‘Resolution’ we respectfully tried to make something all our own. Horror is the most intelligent, inventive and diverse genre in film making, and we worked hard at every stage of the movie to make sure we lived up to that under appreciated tradition.

Justin Benson has written, directed, and worked just about every odd job in the film industry. He has directed several short films and commercials. Resolution is his first feature. Aaron Moorhead directed his first feature at only 19 years old. He has worked as a cinematographer, director, VFX artist, and colorist, and has shot several indie features, shorts, and commercials.

Resolution makes its world premiere at the 2012 Tribeca Film Festival this April 20th in New York City.

Movies

‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape

Published

on

It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.

Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.

“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”

“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”

The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.

Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”

Samara Weaving

Continue Reading