Movies
Stephen Kay’s ‘Cell 213’ Gets Crazy Bloody
God and the Devil have been fighting for souls since mankind first laid foot on earth. Their battle continues in Cell 213 over cocky young attorney Michael Gray.
Stephen Kay, who directed the godawful Boogeyman, is back with new horror with his supernatural thriller Cell 213, which will open in Canadian theaters June 10, with a U.S. release slated for July (via Freestyle Releasing).
The film features an all star cast including Eric Balfour (“Six Feet Under,” Stephen King’s “Haven,” Skyline, Texas Chainsaw Massacre) Michael Rooker ( AMC’s “The Walking Dead,” Slither, Henry: Portrait of a Serial Killer) and Bruce Greenwood.
“Cell 213 becomes home to Michael Gray a cocky young attorney after a gruesome twist of circumstance lands him in the South River State Penitentiary, framed for the murder of an incarcerated client. Unnatural forces are causing prisoners to ‘off’ themselves at abnormal rates and Michael soon discovers that matters of guilt and innocence are not as cut and dry as he would like to believe trapped in this nightmarish cell.”
Check out some super bloody images inside, below you’ll find the Canadian TV Spot:
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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