Movies
Stephen Kay’s ‘Cell 213’ Gets Crazy Bloody
God and the Devil have been fighting for souls since mankind first laid foot on earth. Their battle continues in Cell 213 over cocky young attorney Michael Gray.
Stephen Kay, who directed the godawful Boogeyman, is back with new horror with his supernatural thriller Cell 213, which will open in Canadian theaters June 10, with a U.S. release slated for July (via Freestyle Releasing).
The film features an all star cast including Eric Balfour (“Six Feet Under,” Stephen King’s “Haven,” Skyline, Texas Chainsaw Massacre) Michael Rooker ( AMC’s “The Walking Dead,” Slither, Henry: Portrait of a Serial Killer) and Bruce Greenwood.
“Cell 213 becomes home to Michael Gray a cocky young attorney after a gruesome twist of circumstance lands him in the South River State Penitentiary, framed for the murder of an incarcerated client. Unnatural forces are causing prisoners to ‘off’ themselves at abnormal rates and Michael soon discovers that matters of guilt and innocence are not as cut and dry as he would like to believe trapped in this nightmarish cell.”
Check out some super bloody images inside, below you’ll find the Canadian TV Spot:
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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