Movies
MGM Has No Rules for Remaking ‘Poltergeist’
Recently freed from a crushing $4 billion debt, MGM’s new studio management in February told Hollywood’s talent agencies it was moving ahead with plans to reboot five movie franchises, including Steven Spielberg’s 1982 horror hit, Poltergeist. Now Vulture hears that the studio has offered Pulitzer-prize winning playwright cum screenwriter David Lindsay-Abaire (Rabbit Hole) the job of reimagining the paranormal classic.
Reached by Vulture, Lindsay-Abaire confirmed he’d been approached by MGM and offered the job, but emphasized that no deal had been reached and stressed that he was not yet even sure he wanted to take it.
The good news: Insiders tell the site that MGM has no creative parameters for a Poltergeist remake — it would be Lindsay-Abaire’s to shape in whatever fashion he chooses, should he want the job. Think Dawn of the Dead 2004.
The immediately revival comes a big late as the studio is just now recognizing that paranormal happenings are popular (i.e. Insidious and Paranormal Activity). They expect this to be a huge franchise. No word on if Vadim Perelman is still attached to direct.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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