Movies
MGM Has No Rules for Remaking ‘Poltergeist’
Recently freed from a crushing $4 billion debt, MGM’s new studio management in February told Hollywood’s talent agencies it was moving ahead with plans to reboot five movie franchises, including Steven Spielberg’s 1982 horror hit, Poltergeist. Now Vulture hears that the studio has offered Pulitzer-prize winning playwright cum screenwriter David Lindsay-Abaire (Rabbit Hole) the job of reimagining the paranormal classic.
Reached by Vulture, Lindsay-Abaire confirmed he’d been approached by MGM and offered the job, but emphasized that no deal had been reached and stressed that he was not yet even sure he wanted to take it.
The good news: Insiders tell the site that MGM has no creative parameters for a Poltergeist remake — it would be Lindsay-Abaire’s to shape in whatever fashion he chooses, should he want the job. Think Dawn of the Dead 2004.
The immediately revival comes a big late as the studio is just now recognizing that paranormal happenings are popular (i.e. Insidious and Paranormal Activity). They expect this to be a huge franchise. No word on if Vadim Perelman is still attached to direct.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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