Movies
[Sundance ’12] Interview With The Death Set, End Credits For ‘V/H/S’
Those of you keeping up with V/H/S now know that one of the main goals of the experimental project was for it to be F/U/N. This bled into conversations about the film’s conclusion and how to play out the credits.
While most found footage films end with a lame “fade to black” and no credits, we opted to rock out with some jams ’80s style. The fact of the matter is, we’re not trying to fool you, every viewers knows it’s NOT real. You know?
The idea was to end the film on a high note and have the viewer walk out of the theater with a hop in their step. This is why we chose The Death Set‘s “They Come To Get Us” (purchase) as our end credit theme. In celebration of the film being acquired by Magnolia, Bloody’s Jon Barkan interviewed Johnny Siera of the Aussie punk rock band over at BD’s Music Section. You can rock out to the single by reading on, and purchase the sucker over at iTunes.
Movies
‘The Exorcism’ Trailer – Russell Crowe Gets Possessed in Meta Horror Movie from Producer Kevin Williamson
Russell Crowe (The Pope’s Exorcist) is starring in a brand new meta possession horror movie titled The Exorcism, and Vertical has unleashed the official trailer this afternoon.
Vertical has picked up the North American rights to The Exorcism, which they’ll be bringing to theaters on June 7. Shudder is also on board to bring the film home later this year.
Joshua John Miller, who wrote 2015’s The Final Girls and also starred in films including Near Dark and And You Thought Your Parents Were Weird, directed The Exorcism.
Joshua John Miller also wrote the script with M.A. Fortin (The Final Girls). This one is personal for Miller, as his late father was the star of the best possession movie ever made.
Miller said in a statement this week, “The origins of the film stem from my childhood spent watching my father, Jason Miller, playing the doomed Father Karras flinging himself out a window at the climax of The Exorcist. If that wasn’t haunting enough on its own, my dad never shied away from telling me stories of just how “cursed” the movie was: the mysterious fires that plagued the production, the strange deaths, the lifelong injuries— the list went on and on. The lore of any “cursed film” has captivated me ever since.”
“With The Exorcism, we wanted to update the possession movie formula (“Heroic man rescues woman from forces she’s too weak and simple to battle herself!”) for a world where no one group owns goodness and decency over another,” he adds. “We were gifted with an extraordinary cast and creative team to tell a story about how we’re all vulnerable to darkness, to perpetuating it, if we fail to face our demons. The devil may retaliate, but what other choice do we have?”
The film had previously been announced under the title The Georgetown Project.
“The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Ryan Simpkins) wonders if he’s slipping back into his past addictions or if there’s something more sinister at play.”
Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer) and David Hyde Pierce (Frasier) also star.
Of particular note, Kevin Williamson (Scream, Sick) produced The Exorcism.
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