Movies
[Sundance ’12] Interview With The Death Set, End Credits For ‘V/H/S’
Those of you keeping up with V/H/S now know that one of the main goals of the experimental project was for it to be F/U/N. This bled into conversations about the film’s conclusion and how to play out the credits.
While most found footage films end with a lame “fade to black” and no credits, we opted to rock out with some jams ’80s style. The fact of the matter is, we’re not trying to fool you, every viewers knows it’s NOT real. You know?
The idea was to end the film on a high note and have the viewer walk out of the theater with a hop in their step. This is why we chose The Death Set‘s “They Come To Get Us” (purchase) as our end credit theme. In celebration of the film being acquired by Magnolia, Bloody’s Jon Barkan interviewed Johnny Siera of the Aussie punk rock band over at BD’s Music Section. You can rock out to the single by reading on, and purchase the sucker over at iTunes.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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