Movies
[EFM ’12] ‘Stake Land’ Director Bites Into ‘We Are What We Are’ Remake
Stake Land director Jim Mickle is set to sink his teeth into a remake of cult cannibal picture We What We Are (one of my favorite films of 2010), Paris-based Memento Films International has announced.
Mickle will transpose Mexican director Jorge Michel Grau’s picture about a family of cannibals from its original setting of Mexico City, to a poor part of the Catskills region in New York State. Principal photography starts in June.
“It’s a cool challenge to do justice to Jorge’s story, but also explore things from an unexpected angle,” said Mickle, who is writing the script with Nick Damici.
Andrew Corkin of New York-based Uncorked Productions (Martha Marcy May Marlene, Afterschool) and Bolivian director/producer Rodrigo Bellott (Sexual Dependency) are producing alongside MFI’s Nicholas Shumaker and Linda Moran and Rene Bastian of Belladonna Productions, who produced Mickle’s first two films.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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