Movies
[EFM ’12] Celluloid Nightmares Digs Up ‘Dead Mine’
Celluloid Nightmares has picked up international rights outside Asia to English-language action horror Dead Mine, co-produced by HBO Asia and Singapore-based Infinite Studios, reports Screen Daily.
“It tells the story of a group of treasure hunters who venture into the Indonesian jungle to search for gold looted by Japanese forces during World War II. But they find themselves under attack and trapped underground in a Japanese Imperial Army bunker.”
Directed and co-written by UK director Steven Sheil (Mum & Dad), the film stars cult Japanese action star Miki Mizuno (Bayside Shakedown), UK actors Sam Hazeldine and Les Loveday and Malaysian actress Carmen Soo.
The film, currently in post-production, marks the first time that HBO Asia has produced a feature in Asia. Celluloid Nightmares will also represent Japanese rights.
Infinite Studios, previously called Infinite Frameworks, is a production and facilities company which is constructing new studio developments in Singapore and the Indonesian island of Batam. Dead Mine was filmed on Batam, both on location and at Infinite’s sound stages.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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