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Best & Worst of 2009: Ryan Daley Picks His Top 10!

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As I’m primarily a DVD critic for Bloody-Disgusting, my year-end Top 10 list traditionally cites only DVD horror releases for a given year, which automatically excludes some of the movies I’ve seen at festivals or through pre-release screeners. Whereas I’m generally jealous of my fellow B-D critics for their all-encompassing year-end lists, I have to admit that 2009 was a fantastic year for horror DVDs, and this list was a pure pleasure to put together. Once again, just so I don’t catch any flak down in the comments, this is a list of the BEST HORROR DVDS OF 2009. Hence, no Zombieland.

Mr. Disgusting (Best/Worst) | Tim Anderson (Best/Worst) | BC (Best/Worst)
David Harley (Best/Worst) | Ryan Daley (Best/Worst)

RYAN DALEY’S TOP 10 OF 2009

10. Fear Itself: Season 1 (Lionsgate; September 15, 2009)


Some might say this horror anthology series, buried in the compost heap of NBC’s summer schedule, has been unjustly forgotten. But you can’t forget something if you never knew it existed in the first place. Overproduced and mysteriously under-promoted, Fear Itself is actually a pretty good show. Although none of the episodes can equal the best of Masters of Horror, the first season is solid across the board, each episode a strangely comforting 40 minutes of basic, well-produced horror.

9. The Killing Room (Genius Products; October 13, 2009)


I first saw The Killing Room at the Sundance Film Festival. To my pleasant surprise, Shea Whigham, one of the stars, took the theater seat directly in front of my wife. Remember that scene were Whigham gets his arm crunched in the door slot? The audience jumped out of their seats. And so did Whigham. His friends whispered props for really selling the arm crunch, and Whigham sunk low in his seat, looking both pleased and embarrassed to have pulled of the scare. It’s one of several good moments in a tense, captivating film. With its claustrophobic setting and clever B-movie premise, The Killing Room plays even better on DVD.

8. Trick r’ Treat (Warner Premiere; October 4, 2009)


Buried for years in the rubble of horror fan apocrypha, Warner Bros. finally dumped its highly-anticipated Halloween anthology onto DVD the first week of October. Like most horror fans, I spent the next 4 weeks trying to spread the word: You feeling a Halloween movie? Well check this one out. Nimbly edited, keenly executed, and oozing loads of Halloween spirit, Trick r’ Treat is an All Hallows’ Eve tradition in the making.

7. Drag Me To Hell (Universal; October 13, 2009)


Sam Raimi’s roller-coaster ride of a horror flick serves as proof-positive the director hasn’t lost a step since wrapping Army of Darkness. Steeped in the same youthful exuberance of his pre-millennial horror films, Drag Me To Hell has energy to spare: as far as pacing is concerned, the movie cooks. One of those horror flicks that oozes fun like a summer carnival.

6. Splinter (Magnet Releasing; April 14, 2009)


Splinter features the best movie monster I’ve seen this year. It’s bone-snapping, joint-contorting, black-splinter-sprouting parasite is something out of a horrible, horrible nightmare. Stranded at a rural gas station, the characters are stuck in a rut of paranoia and confusion that’s all too palpable. It’s one of those movies that makes your palms sweat.

5. True Blood: Season 1 (Warner Bros.; May 19, 2009)


Vampires and sexual abstinence? Worst combo ever, Twi-hards. Horny adults with a jones for fast-pumpin’ vampire sex, hard-core neck suckin’, and even the occasional blood “snowball”, know where to go to get their vampire fix. True Blood, bitches! It took a few episodes for the series to find the right tone, but once it got a head of steam, it was impossible to stop watching. And Season 2 (available on DVD in 2010) is even better.

4. Deadgirl (Dark Sky Films; September 15, 2009)


One of the more controversial horror releases of 2009, Deadgirl is certainly a polarizing movie. It poses a question frequently bandied about in the B-D forums: if you discovered a chained up female zombie who happened to be pretty hot, would you have sex with it? Okay, perhaps…but what about sloppy seconds? That’s the quandary faced by a couple of high school youths in this highly accomplished indie effort, one of those films that sticks with you for days after you watch it.

3. REC (Sony; July 14, 2009)


Better than Quarantine, that’s for goddamn sure.

2. Let the Right One In (Magnolia; March 10, 2009)


Magnolia may have jacked up the subtitles on the DVD release, but don’t let that stop you from seeing one of the most emotionally resonant vampire movies of all time. Thought-provoking, mesmerizing, and overwhelmingly beautiful, this is an excellent movie based on an excellent novel by Swedish author John Lindvist. An unforgettable experience.

1. Martyrs (Dimension; April 28, 2009)


One of the smartest horror movies to come along since Silence of the Lambs. Unfortunately, Martyrs‘ overwhelming violence deterred all but the most adventurous of movie-lovers, which is too bad, since French director Pascale Laugier has crafted a philosophical, deep-thinking horror movie that’s practically begging to be discussed in intellectual circles. Yes, it can be hard to watch, but sometimes the reward of personal revelation is worth the hefty price of fleeting pain.

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Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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