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Will Arnett Takes on Serious Role in ‘Jonah Hex’

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With the film back behind cameras (I Am Legend helmer Francis Lawrence is consulting on the reshoots), there really hasn’t been that much to report on Warner Bros. Pictures’ Jonah Hex, the live-action adaptation of the DC comicbook. Today a new interview with star/comedian Will Arnett popped online where he talks about taking on a serious role (for once). “[My character] is much more serious,” he tells SuperheroHype. “I hope. Otherwise I’ve failed miserably at my job.” He explains that it’s actually quite a dark film. “‘Jonah Hex’ is a very kind of heavy movie…It’s dark and actioney… [A] real fun, dark, sweaty movie.” You can read the full interview by clicking the link. Hex fires his guns on June 18, 2010.
Hex, known for having the right side of his face disfigured and wearing a Confederate army uniform, was a rough-and-tumble gunslinger and part-time bounty hunter whose adventures always ended in blood.

“Hex” first appeared in the early 1970s in the issues of “All-Star Western” before graduating to his own series in 1977 that ran for about 10 years. A new series was launched in 2005. The character also had a run in the 1990s that combined the Western genre with supernatural elements.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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