Movies
Making Popcorn With ‘Chernobyl Diaries’!
Last week we got a look at the trailer and poster for Chernobyl Diaries, the Oren Peli and Brian Witten-produced horror survival film directed by Brad Parker. Today the LA Times has a brief interview with Andrew Kosove of Alcon Entertainment, who owns the North American rights.
It’s an interesting read because it at least attempts to tackle the inherent issues of fashioning a piece of entertainment out of a real-world tragedy. Kosove asserts that offending survivors of the disaster (families of the victims) is not on his agenda. “It’s a popcorn film. I don’t think the movie takes itself so seriously as to tread on those real disasters.” I don’t really have an opinion about this. The film’s tagline is “experience the fallout” which I suppose could be read as kind of tacky, but then again I don’t think there’s much that should be off limits. Humor heals, I suppose.
As for why he thinks its a good setting for a film? “It’s not like going to Club Med in Barbados. It’s frozen in time, and it’s visually arresting.” The article also touches upon the extreme tourism industry that has cropped up around the site. Apparently you can purchase a day pass to check out the city of Prypiat. As someone who avoids the backscatter mating at the airport, I don’t think I’ll be signing up for that one.
In theaters May 28 from FilmNation, “A group of friends become stranded in an eerie and desolate city. Years before in the aftermath of a nuclear disaster, nature has begun to reclaim everything. As the sun sets on this radioactive ghost town, inhuman cries cut through the night air. It seems they are not alone.” It stars Jonathan Sadowski, Devin Kelley, Jesse McCartney, Olivia Taylor Dudley, Nathan Phillips, Ingrid Bolso Berdal and Dimitry Diatchenko.
Head inside for the film’s trailer. You can check out the article here.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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