Movies
‘The Door’ Becomes ‘Shadow People,’ First Stills
With two other films carrying the same title, I’m not exactly sure how smart it was to change Matthew Arnold’s The Door to Shadow People.
Announced last December, Shadow People is inspired by true events concerning a radio talkshow host (played by Dallas Roberts) who’s drawn to exploring paranormal activity by a caller and an unexplained death. Alison Eastwood will play a CDC investigator.
Out of Cannes we scored the first three official stills, dig on ’em inside.
“SHADOW PEOPLE is a psychological-thriller that explores the rare medical phenomenon known as SUNDS (Sudden Unexplained Nocturnal Death Syndrome). Millions of people across the globe have had encounters with what they describe as dark, shadowy creatures that visit them at night. Sometimes horrifying, sometimes deadly, these nocturnal intruders have been described as early as man’s first recorded writings. But what are they? And what do they want?
Small town radio personality CHARLIE CROWE (Dallas Roberts) is thrust into the mystery when a strange caller relates a terrifying experience during Crowe’s late night call-in show. At the same time, CDC Public Health Agent, SOPHIE LANCOMBE (Alison Eastwood), is hot on the trail of the cause of the rare medical condition known as SUNDS. Her investigations entwine her with Charlie’s own discoveries and take them both into a dark world and a decades old cover-up about the phenomenon we now call, The Shadow People. Once you open the door to the mystery…you’ll never sleep soundly again.”
One of the genre films set to premiere at the Tribeca Film Festival in June is the sci-fi/drama She Loved Blossoms More, and a bonkers first-look photo has arrived this week (above).
Additionally, Variety reports this afternoon that Yellow Veil Pictures has secured world sales on She Loved Blossoms More, billed as a “family drama in science fiction disguise.”
In the film, “three brothers build an unusual time-machine in order to bring their long-dead mother back to life. When their delusional father comes into the picture, the experiments go awry, and they descend into a psychedelic hellscape where the past and present fuse in a comedic yet deeply disturbing exploration of grief.”
Yannis Veslemes directed the film and co-wrote with Dimitris Emmanouilidis.
Veslemes said in a statement shared by Variety, “[She Loved Blossoms More is] a ballad for the defeated, a comedy for the accursed, a moral tale for us all and our beloved families.”
“She Loved Blossoms More is the first film we’ve onboarded at script stage, and it’s been quite amazing to see it come alive,” said Hugues Barbier of Yellow Veil Pictures. “We couldn’t be more proud of Yannis’ vision and the amazing team he has around him. Blossoms is an emotional thrill ride and a calling card for one of the most exciting new filmmakers.”
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