Movies
TV: More Puns in Latest ‘True Blood’ Posters
HBO has been running rampant promoting the forthcoming fourth season of “True Blood” that premieres on June 26 at 9pm. While they’ve released a dozen “waiting sucks” poster and the official trailer, inside you’ll find a trio of official character one sheets that ask you to “show your true colors” while displaying a whole lot of “touching.” Always with the puns…
“Sookie journeys away from Bon Temps; Eric and Bill try to win back the human public; Jason learns that no good deed goes unpunished; Tara finds refuge in close quarters; Sam bonds with his own; Hoyt and Jessica debate the dinner menu; Jesus urges Lafayette to join a coven; Terry tries to alleviate Arleneʼs fears about the baby.”
Alan Ball’s “True Blood” stars Anna Paquin, Stephen Moyer, Alexander Skarsgard, Kevin Alejandro, Nelsan Ellis, Jim Parrack, Deborah Ann Woll, Sam Trammell, Kristin Bauer van Straten, Rutina Wesley, Carrie Preston, Joe Manganiello, and Ryan Kwanten. The Season 4 newcomers include Daniel Buran, Dane DeHaan, Rebecca Wisocky, Janina Gavankar, Alexandra Breckenridge, Vedette Lim, Christina Moore, Neil Hopkins, and Chris Butler.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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