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Kasdan And Coben To ‘Stay Close’

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I’m reporting on this because right now it seems there’s a 50/50 chance it could come down on the horror side of the thriller fence as opposed to the drama side.

Writer/Director Lawrence Kasdan, (writer of The Empire Strikes Back and Raiders Of The Lost Ark, director of Body Heat, The Big Chill and… um… Dreamcatcher) is teaming up with author Harlan Coben to adapt the latter’s upcoming novel Stay Close for the big screen.

Per Deadline, “Lawrence Kasdan and bestselling author Harlan Coben are teaming on a feature adaptation of Stay Close, Coben’s latest thriller novel which Dutton will publish March 20. ‘In Stay Close’, a past crime returns to devastate the lives of a photojournalist, a suburban mother with a hidden past, and a homicide detective obsessed with a series of unsolved disappearances. The Hitchcockian thriller plunges all three into a dark world of sex, secrets and shocking violence.

Interestingly enough, they’re aiming to have a draft of the screenplay done by the time the book hits shelves on March 20th.

I’m sure we’ll learn more about this in the coming days. Hopefully it plays up the darker elements of the book’s conceit.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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