Movies
Tilda Swinton Fills Role She Was Destined To Play: A Vampire
Not only does Tilda Swinton (pictured inside) look like David Bowie during the peak of his career, but she also looks like a vampire, like if vampires really existed. After a wonderful career filed with critical acclaim, she’ll now fulfill her destiny and play a bloodsucker in a high profile horror drama that could bring our genre back to the Academy Awards.
THR writes that Swinton will rejoin her The Limits of Control helmer Jim Jarmusch for the director’s new film, a take on the vampire romance genre titled Only Lovers Left Alive.
Fellow Oscar-winner John Hurt, most lately of Tinker Tailor Solider Spy, Mia Wasikowska of Albert Nobbs and War Horse actor Tom Hiddleston also star in the horror drama, described as an unusual love story between two vampires who have been in love for centuries.
Jarmusch is producing Only Lovers Left Alive together with Cologne-based Pandora films. The feature has picked up $1.45 million (€1 million) in production financing from state film subsidy body Filmstifftung NRW and will shoot in the NRW region of western Germany later this year. 
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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