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[Special Feature] 10 Actors We’d Like To See Do Horror!

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A lot of times bigger names tend to steer clear of the horror genre. It’s often not seen as prestigious, the budgets are lower (and thus the salary) and it’s rarely recognized come awards time. Sometimes it’s the choice of the actor not to indulge in the more bloody side of things, and sometimes their representation simply guides them away from it.

Contrary to popular belief, most horror fans are able to enjoy many films that are well outside the genre. I’ve personally noticed that many of my colleagues have an affinity for romantic comedies (myself included), however strange that may seem.

With that being in mind, have you ever been watching one of your favorite actors and wondered why they’ve only rarely (if at all) dipped their toes into your favorite category of film? I can’t put words into the mouths of people on this list – but I bet more of them than you would suspect would actually like to “slum it” a bit in the killing fields.

Either way, here’s a list of people I’d like to see get in the horror game every once in a while. While a couple of those singled out have actually been in a few slashers (etc…) at the very beginning of careers – many of them have never had the chance to be horribly murdered (or survive a series of horrible murders) onscreen.

Hit the jump to check it out and be sure to list any I may have missed in the comments!

Jon Hamm

He embodies an intriguing mix of aloof and charming masculinity in his iconic role as Don Draper on AMC’s “Mad Men” and his surprisingly impeccable comic timing has been on display for a while now in projects like “30 Rock” and Bridesmaids. But I think we’re missing out on the truly momentous horror performance he might have inside of him.

If there’s anybody out there who could pull off an A-list version of the “Ash”-type hero, it’s him. He’d also be a killer defensive patriarch in any home invasion thriller. Need an affably handsome serial killer who could lure unsuspecting gals into his Volkswagon? He’s your guy.

Donald Glover

If you’re one of the few people who watches “Community” you already know how hilarious he can be as the wonderfully naive Troy Barnes. In addition to being a wonderfully subtle comic presence, he’s a great physical performer as well. It’s that combination of abilities that would make him a great horror protagonist. I’d love to see him in a madcap Evil Dead 2 type of role. And his face is so innocent, he’d probably make for a highly unsettling villain as well.

Zooey Deschanel

I know a lot of people who are on the Zooey Deschanel hate train, which I don’t quite get. I can certainly understand her not being someone’s cup of tea – and I pretty much can’t stand “New Girl” – but as a performer she’s inoffensive enough and I quite enjoyed her in Our Idiot Brother.

What I haven’t enjoyed her in is a good slasher, which is a shame because she’s got super expressive eyes that would be a great asset to any “final girl” role.

Anna Kendrick

Despite the presence of vampire/werewolf shenanigans, the Twilight films don’t really count as horror. Not to me, at least. While Kendrick is on the rise due to her wonderful roles in Up In The Air and 50/50, her agents are probably doing their best to keep the horror scripts away from her dance card. What a waste. She’s such a delightfully smart, quick witted and sexy screen presence that she’d be a welcome addition to the genre. Her effortless incredulity would provide the audience the ultimate in relatable access points for anything supernatural.

Paul Rudd

Okay, okay, okay. So he was in Halloween: The Curse Of Michael Myers, but that was way before he was Paul F*cking Rudd. He’s practically a hero and a legend at this point, not “the kid from Clueless”. I’m not sure which subgenre of horror I’d like him best in, but I’d almost like to see him return to the world of slashers – albeit ones without Druid mythology. If Friday The 13th Part 6: Jason Lives was ever remade for absolutely no reason – I’d totally cast him as a 40 year-old Tommy Jarvis. Realistically, if he were ever to do another horror film, we’d probably have to settle for him as the beleaguered dad of “one of the kids”.

Jason Segel

Jason Segel’s roles in “Freaks And Geeks” and Forgetting Sarah Marshall, cemented him as another incredibly relatable performer. Someone who could translate misgivings you may have about yourself to the screen in a superbly warm-hearted manner. He’s an exceptionally honest mainstream performer, great at making his audience see their flaws less as shortcomings and more as attributes.

Which is a long way of saying that’s it’s a blast to see him frightened onscreen. Now we just need to give one of his characters a much more visceral reason to scream.

Daniel Day Lewis

Why bother even writing a paragraph about him? When has he ever been less than amazing? He’s already played monsters of sorts in Gangs Of New York and There Will Be Blood – I say we give him an even broader canvas to go bananas.

What horror role do you think he’d fancy enough to let drag him away from shoe-cobbling?

George Clooney

Clooney’s actually been in at least three horror movies. The little seen Grizzly: The Concert, as well as Return Of The Killer Tomatoes and, of course, From Dusk Till Dawn. But it’s been a good, long while since our modern day Cary Grant (or whomever) has hit us up with an entry in our favorite genre. He’s mastered a soft, pragmatic menace (and charm) that would be perfect for a number of roles. What would you like to see him take on?

We can only hope Fright Night never gets remade again, but he’d make a great Jerry Dandridge – even if he would never in a million years take that part.

Rashida Jones

Another performer who could play victim or killer with equal success. She’s quite sweet-natured in at least 99% of her onscreen work – but there’s a steely and determined undercurrent to her presence that could actually be frightening. Her matter-of-fact clarity could turn terrifying perfect if she ever chose to go the psychopath route.

Shailene Woodley

After making a huge splash, literally and figuratively, as Alexandra King in The Descendants Shailene Woodley has been emblazoned on my radar as a highly capable dramatic and comedic performer. She’s certainly got the acerbic and angry “don’t f*ck with me” vibe down, but what made her truly special in that film was her ability to slyly reveal wounded, caring layers of her character that necessitated that defense mechanism.

I could see her taking down Jason, no problem.

Disagree? Have a suggestion? Let us know in the comments! Who do you want to see kill or be killed?

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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