Connect with us

Movies

Sundance ’10: Ryan Daley Reflects Back on 6 Films of the Fest

Published

on

The Sundance Film Festival is traditionally a mixed bag, but this year’s Park City at Midnight line-up was easily one of the strongest I’ve ever seen. Almost all of the movies featured were in some way entertaining, and three of the films were downright excellent. Here’s how I rank the six horror movies I saw at this year’s festival.

Click here for all of this year’s Sundance news:


The audience at my midnight screening was initially enthusiastic about The Butcher Brothers’ most recent effort, but that enthusiasm soon gave way to disenchantment, and eventually scorn, as the directors took a fun sub-genre (the 70s exploitation film) and stomped all the life out of it. All but impossible to sit through.


Even high production values couldn’t save this one, a sci-fi drama that’s all over the place in terms of tone. Is it a semi-instructional film about how to raise a mutant baby? Or is it a lurid sex flick featuring human-on-mutant groin-slammin’? Hard to tell. A weird mash-up of genres that never quite congeals.


The definition of mediocrity stretched to its breaking point. A couple of amusing scenes try to carry the load, but with the majority of the movie buried under a hapless heap of “who cares?” plot developments, this is a flick that quickly wears out its welcome.


Ryan Reynolds rocks the screen hard in a singular, no-holds-barred performance. Some will question the ending (avoid all reviews if you plan on seeing it), but in the world of tightly-wound, independently financed thrillers, Buried knows no equal.


Like Martyrs, this is torture-porn for the intellectual set. Those who enjoy their cinematic brutality served up with a side of emotional realism are in for a real treat. Sometimes graphic, sometimes restrained, 7 Days is the perfect amalgam of gut-wrenching horror and high art.


After a slow and baggy set-up, director Adam Green really brings the pain for the full remaining hour of his winter extremes horror film, a truly harrowing experience that provokes hours of discussion once the credits have rolled. By the time I left the theater, my armrests were slick with hand sweat.

Movies

‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

Published

on

Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

Continue Reading