Movies
French Magazine Article Features New Look at ‘Inside’ Director’s ‘Livid’!
Bloody Disgusting reader ‘Usman H.’ just tipped us off to a French magazine feature on Julien Maury and Alexandre Bustillo’s Livid, their bloody follow-up effort to their mind-blowing Inside. The article is unfortunately in French (maybe one of you guys are able to read and sum up?), but it does feature a slew of new haunting imagery, and the “dance of the dead”…
In addition, we just got our hands on a demonic high quality still that was teased at last year’s AFM.
“It’s young Lucy’s first day as a trainee in-house caregiver. She visits Mrs Jessel, an old woman who lies in cerebral coma, by herself, in her large desolate house. Learning by accident that Mrs Jessel, a former dance teacher of repute, supposedly possesses a treasure somewhere in the house, Lucy and friends William and Ben decide to search the house in the hope of finding it. At night, they get into the house, which reveals itself to be increasingly peculiar. Their hunt for Mrs Jessel’s treasure leads them into a horrifying supernatural series of events that will change Lucy forever…”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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